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The castle has a trapezoidal shape and has two gates and eight towers, three of which are semicircular. The main gate is located in the keep, to the south of the enclosure, while the secondary gate is on the opposite side. Both gates have been rebuilt with granite ashlar.

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Guillena is the first official stop on the Vía de la Plata (Silver Route) when you leave from Seville. The Vía de la Plata is one of the longest and historically most important pilgrimage routes to Santiago de Compostela. Pilgrims who start this route in Seville walk about 22-23 kilometers to Guillena on the first day. Here they find the first pilgrim hostel and can rest for the next stages north. Guillena is therefore an important starting point and a well-known name for pilgrims who walk the Vía de la Plata.

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It is a relatively small village with a peaceful atmosphere and a welcoming community. In 2023, the municipality had 7,098 inhabitants. Burguillos is known for its rural environment. Important historical buildings include: the parish church of San Cristóbal Mártir and the Hermitage of the Virgen del Rosario.

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The Torre de Antiguo Molino de Trigo in Burguillos, Andalusia, is a historic tower that was originally part of an old flour mill. The tower still stands, despite the rest of the mill building being demolished in the early 20th century.

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The hermitage of the Divina Pastora is a contemporary building in Andalusian style, crowned by an artistic bell tower. Construction began in 1956 according to plans by the Sevillian architect Aurelio Gómez Millán. Its popular brick and tile festivals stand out, in which the devotees collaborated by providing these materials for their construction. The works were completed on September 30, 1960. Inside, it contains an altarpiece with a painting of the Divine Shepherdess by the Sevillian painter Juan Antonio Rodríguez. On the façade there is a ceramic altarpiece of 1.20 x 2 m, a work from the mid-twentieth century by Alfonso Chaves Tejada, made by Ramos Rejano in Seville.

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The Ermita de Nuestra Señora de la Soledad in Cantillana is a beautiful chapel dedicated to the Virgen de la Soledad, the patron saint of the village. The chapel is in Baroque style and consists of a single, spacious nave closed by a beautiful plaster cross vault. The front of the chapel is adintel and is flanked by pilasters that crown a pediment with a pinnacle. The facade is decorated with azulejería. Inside the chapel is a neoclassical altarpiece in which the Virgen de la Soledad is venerated, together with portal altarpieces of Santa Rita and San Sebastián, the patron saint of the village. The chapel is approximately 20 metres wide and 35 metres long, and is well preserved. The church has a plaque with a text confirming the canonical patronage of the Virgen de la Soledad over Cantillana. This plaque is decorated with Baroque style and was made by local artist Luís Manuel López Hernández in 2005.

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Cantillana is a charming village in the province of Seville, in the heart of Andalusia, Spain. It is located on the banks of the Guadalquivir River, giving it a picturesque location with rich vegetation and beautiful views. Cantillana has a rich history dating back to Roman times and offers several historical sites, such as the Piedra del Moro and the remains of the old city walls. The Torre del Reloj is an impressive building that forms part of the historical heritage of the village. The village is also known for its religious monuments, such as the Iglesia del Dulce Nombre de Jesús y Santa Misericordia and the Ermita de San Bartolomé. These churches and chapels are beautifully preserved and offer a glimpse into the religious and cultural traditions of the region.

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The Ermita de San Bartolomé in Cantillana is a historic chapel originally built in the 15th century. The chapel is located in the Plaza de Llano, a central square in Cantillana. It has a basilica plan with three naves, separated by brick columns supporting pointed arches. The roof is wooden, with a central coffered ceiling and hanging on the sides. The exterior has been intensely transformed, highlighting the main entrance of the eighteenth century. The chapel has a beautiful main door from the 18th century and contains several altarpieces and statues, including the image of Jesus of Nazareth and Saint Bartholomew. Currently the hermitage of San Bartolomé houses the images of Our Lady of the Assumption, Saint Bartholomew, Our Father Jesus and Our Lady of Consolation, from the Baroque period, and the painting of Saint Catherine of Alexandria, from the eighteenth century, with some interest in the wall paintings with themes of angels with inscriptions between rock formations, datable to very late dates in the eighteenth century

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