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One of the most beautiful castles in the North: The Château d’Eth (18th century), built on the site and with the materials of a feudal castle. It is still surrounded by moats.

You are near the Verhaeren Museum Space in Roisin, in the middle of remarkable natural sites, including the Bois d'Angre and the Caillou-qui-Bique. Along the path, stone blocks engraved with Verhaeren's poems recall his close ties to the region, where he frequently resided between 1899 and 1914, finding inspiration in its landscapes.

Eth Castle dates back to medieval foundations but was rebuilt in 1766. This brick and stone castle is surrounded by water and accessible by three bridges. It presents a homogeneous 18th century architecture with symmetrical facades and recently restored roofs. The estate was formerly the property of the Estreux de Beaugrenier family in the 19th century.

Emile Adolphus Gustavus Verhaeren (Sint-Amands, May 21, 1855 - Rouen, November 27, 1916) was a French-speaking Belgian author and a representative of Symbolism. He was a poet, wrote short stories, art criticism and theater. His work has been translated into 28 languages (including English, Russian, German, Chinese and Japanese).[1] Verhaeren made his debut in 1883 with Les Flamandes, a naturalistic collection inspired by the voluptuous scenes from Flemish painting of the 16th and 17th centuries. In 1886 Les Moines followed in the sphere of religious mysticism. From 1888 to 1891 he published his black trilogy: Les Soirs (1888), Les Débâcles (1888) and Flambeaux noirs (1891). The collections, bibliophile published by Edmond Deman in Brussels, are bathed in the dark fin-de-siècle atmosphere of melancholy and self-torture. These were the years when Verhaeren suffered from neurasthenia. https://nl.wikipedia.org/wiki/Emile_Verhaeren

Emile Adolphus Gustavus Verhaeren (Sint-Amands, May 21, 1855 – Rouen, November 27, 1916) was a French-speaking Belgian author and a representative of Symbolism. He was a poet, wrote short stories, art criticism and drama. His work has been translated into 28 languages (including English, Russian, German, Chinese and Japanese).[1] Verhaeren made his debut in 1883 with Les Flamandes, a naturalistic collection inspired by the voluptuous scenes from Flemish painting of the 16th and 17th centuries. In 1886 Les Moines follows in the sphere of religious mysticism. From 1888 to 1891 he published his black trilogy: Les Soirs (1888), Les Débâcles (1888) and Flambeaux noirs (1891). The collections, published bibliophile by Edmond Deman in Brussels, bathe in the dark fin-de-siècle atmosphere of melancholy and self-torture. Those were the years in which Verhaeren suffered from neurasthenia. https://nl.wikipedia.org/wiki/Emile_Verhaeren

"My whole country lives and thinks in my body He absorbs my strength into his inner strength, So that I feel better through him the world And celebrate the earth with a louder song."

"the multiple splendor" To live clearly, firmly and justly, With my heart, I admire everything What vibrates, works and boils In human tenderness and on the august earth.

An example of how small a GR route can be. The landscape changes color every season.