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마지막 업데이트: 2월 24, 2026
The ramparts, built in the Spanish period, were modified by the famous Vauban himself. We can still admire the towers surrounding the city since the seventeenth century, as well as many other monuments: the tower of the Edifieur Baudoin, one of the oldest of all, Caesar Bastion built under Louis XIV the Green stronghold and the headquarters hospital, or the Fauroeulx door, the only one that did not suffer the Second World War and its demolition. The current castle, the Cernay, was built in the seventeenth century, replacing the twelfth century built by Baldwin IV of Hainaut. You can still see some remains of the original castle that served as a residence to Charles the Bold, as a gateway and a set of Romanesque cellars.
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The fortifications of Le Quesnoy date back to the Middle Ages and were further strengthened in the 17th century under the direction of the famous military engineer Vauban. These fortifications were necessary to protect the city from attacks and sieges. The fortifications have been declassified since 1901, but they are still well maintained. The remparts are designed in a Renaissance style with heavily fortified walls and gateways. They are built of brick and stone, which is typical of the military architecture of that period. The fortifications include several bastions, such as the Porte Faurœulx and the Bastion Vert, which are strategically placed to protect the city.
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The Jardin de la Paix Belge was created in 2018 by the collective artist group Plan B, consisting of Thomas Van Eeckhout and Mathieu Allain. The park is located in the fortifications of Le Quesnoy and is a symbol of peace and memory. The park was designed with a concept in which part of the city walls of Le Quesnoy is projected horizontally onto a lawn. The walls, originally 12 meters high, are now terraces that offer a peaceful place for walks and reflection. The use of brick and natural materials, such as engraved stones, emphasizes the historical and cultural ties between the regions.
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The Porte Faurœulx is part of the fortified city walls built between the 15th and 17th centuries. These walls were built to protect the city from attacks and sieges. The gate itself dates from this period and is a remnant of the military architecture of the time. The gate is designed in a Renaissance style with strongly fortified walls and gateways strategically placed to protect the city. It has a circular plan and is built of brick and stone, which is typical of the military architecture of the period.
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The belfry, also known as the Tour de l'Horloge, was built in the 17th century during the period of the fortified city of Le Quesnoy. The city had a more strategically important position and was fortified by the famous military engineer Vauban. The belfry served as a wake-up tower and a refuge during sieges. The belfry is designed in a Renaissance style with a circular plan. It is approximately 30 meters high and features a copper alarm clock that announces the hours. The tower is built of brick and stone and is decorated with various decorative elements that reflect the rich history of the city. In addition to its architectural value, the belfry also had an important function in the daily life of the city. It housed the city clock that woke and kept the inhabitants awake. During wars and sieges, it served as a strategic point for the defense of the city.
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The original church on this site was Sainte-Marguerite, built around 1416. It was destroyed during the French Revolution in 1794. The current church was built between 1826 and 1829 after several architectural plans and revisions. The church was damaged during both world wars but has since been restored. The church is designed in a neoclassical style with a basilica plan. It has a neoclassical facade and a neo-Tuscan bell tower that is 26 meters high. Inside, the nave is divided by six stone columns and lit by 14 windows, while the choir receives light from two beautiful windows and a lantern. The interior of the church is decorated with beautiful stucco decorations illustrating the Immaculate Conception, as well as stained glass windows depicting various names of the Virgin Mary. The main altar shows an image of Mary helping Jesus crush the head of the serpent, a symbol of death and sin. There are also two large paintings, probably by a pupil of Titian, depicting the Annunciation and the Nativity.
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