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하이라이트 • 기념물
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Although the few remaining ruins of this structure are called a castle, it appears that the site was first used as a Roman temple and then as a Christian church. Nearby are superb rock formations typical of the Northern Vosges Mountains.
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Accessible from various directions and/or accessible as a circular walk. The walk up the mountain is quite long.
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At this spot, in the forest northeast of Lviv, the trees give way slightly, creating a clearing where, at an altitude of 420 meters, stands the small sacred monument known as the "Croix Saint-Hubert." A low stone wall and a wooden fence create a small "sacred precinct," at the center of which is the well-preserved cross. At the very bottom of the lower section is the well-known scene from the Life of Hubertus, featuring a stag with a cross between its antlers. Above it, reliefs of two figures are depicted, the one on the left identified as a monk with his tonsure and habit. Between the two images, the year 1786 is inscribed. Above this, the actual cross, which also bears the body of the crucified Christ, rises.
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At this spot, in the forest northeast of Lviv, the trees give way slightly, creating a clearing where, at an altitude of 420 meters, stands the small sacred monument known as the "Croix Saint-Hubert." A low stone wall and a wooden fence create a small "sacred precinct," at the center of which is the well-preserved cross. At the very bottom of the lower section is the well-known scene from the Life of Hubertus, featuring a stag with a cross between its antlers. Above it, at the very bottom, are reliefs of two figures, the one on the left identified as a monk with his tonsure and habit; between the two images, the year 1786. Above this, rises the actual cross, which also bears the body of the crucified Christ.
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Ste-Vérène (German: St. Verena) is a Roman Catholic pilgrimage chapel near the village of Enchenberg in Lorraine. The chapel plays a significant role in the religious life of the Bitche region. It was listed as a historical monument in 1996. Its preservation is overseen by the Association for the Preservation of the Chapel of Sainte-Vérène. The chapel was built in the 15th century and enlarged in 1685. However, four construction periods are evident in the building. The simple Romanesque choir windows suggest an even older predecessor from the early Middle Ages. A window and door from the late Gothic period are considered architectural masterpieces. Two Renaissance-style gable windows on the west side date from the turn of the 15th and 16th centuries. The entrance to the chapel is in a naive Baroque style. The terracotta Virgin Mary also dates from this period. The choir, made of large, plastered sandstone blocks, creates an unusual scene with its Gothic arches. The old altar disappeared around 1960 and resurfaced damaged in November 1991. It has now returned to its place in the chapel. It is said to be a work by Johann Martersteck, a master from Bouquenom. The attribution can be considered relatively certain due to its strong similarity to the Rahling retable, which was also by Martersteck. The old, richly painted church windows disappeared around 1960. They were only replaced in 2000 by figurative paintings by the artist Sauveur Pasqual. The gable window depicts Saint Verena with her insignia of jug and comb. Next to it, Saint Maurice is depicted with a red flag and a broken sword. A Gothic window depicts Saints Ursus and Victor, martyrs of the Theban Legion like Maurice. Adjacent to the chapel is a Lourdes Grotto, built in 1958 to celebrate the centenary of the miracles of Lourdes. About 100 meters below the chapel rises a spring with very soft water, which may have contributed to the choice of the site and served to supply the hermits living there. It has also been used by the residents of Enchenberg since ancient times as a washing place. Source: Wikipedia
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A beautiful chapel, accessible through the picturesque Felsenweihertal valley. A special place.
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Very beautiful places in the calm of the forest
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The remains are not the ruins of a small castle, as the popular name might suggest, but rather the remains of a Roman or Gallo-Roman sanctuary from the 2nd century, with a second phase of use in the 4th century. It may have later been used as a Christian church. In Curt Mündel's guide to the Vosges Mountains (1911 edition), the ruins are referred to as "Meisenbacher Schlössel," and the rock below as "Ochsenstall" (Oxen Stable), probably because the rock overhang was formerly used as a shelter for cattle.
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