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The church dates from the 13th and 16th centuries. The bell tower, porch, transept, and choir have been listed as historic monuments since December 22, 1927.

This church is Romanesque in style (12th or 13th century) and was renovated during the Gothic period. Thus, on one side of the nave, there are semicircular arches and on the other, pointed arches. The bell tower dates from the 18th century. The church has a massed plan. The chevet is flat. The sacristy is attached to the chevet. The square bell tower, topped with an octagonal dome, is located on the south facade. On one side of the nave, there are bays. The portal opens under the bell tower. It is decorated with an ogee arch and a coat of arms.

11th Century Church Worship was abolished in the parish of Chevain. The church was sold for 31,700 livres to the citizen of Villeray on 6 Vendémiaire, Year VII (September 27, 1799). The Chevain church, having been donated by Madame du Hameau de Villeray to the commune by notarial deed dated April 16, 1827, was restored to worship there on January 15, 1827. The parish was established as a branch parish.

Built at the end of the 12th century, the church belonged to the former diocese of Saintes. It has been restored several times, notably in the 15th century. Rectangular building with a straight chevet. A single nave with a ribbed vault. Sculpted column capitals. In the transept, a dome on pendentives. Chancel with a ribbed vault and a large 13th-century chevet window. On the north side of the chancel, a large pointed arch gives access to a ribbed vaulted chapel. The western façade dates from the 13th century, with a pointed arch portal with three arches on round columns. Two chamfered pilasters separate the portal from the blind doors and rise to the top of the façade. Above this ground floor and set back are three pointed arch arcades with sculpted figures (seated Virgin, shepherds guided by an angel, three wise men). On each side, twin arcades with pointed arches with heads, fantastic animals, diamond points and crockets. On the transept rises a square bell tower.

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This neo-Gothic style church saw its first stone laid on July 6, 1880 and was consecrated in 1883. It replaced an old church which dated from the Middle Ages and which was considered too small for masses.

The Church of Our Lady of the Assumption: A Symbol of the Catholic Faith in Antananarivo The Church of Our Lady of the Assumption is a Catholic religious building located in the Avironimamo district of Antananarivo, the capital of Madagascar. It is dedicated to the Assumption of the Virgin Mary, an event that commemorates Mary's elevation to heaven after her death. Construction of the church began in 1872 and was completed in 1877. It was designed by French architect Émile Lafon, who also designed other important buildings in Antananarivo, such as the Church of Saint Peter and the Lycée Gallieni. The church was built on the site of an old chapel that had been built in the early 19th century. The Church of Our Lady of the Assumption is a remarkable example of neo-Gothic architecture in Madagascar. It is built of cut stone and has an imposing façade with two twin towers. The interior of the church is decorated with colorful stained glass windows and a pipe organ. The Church of Our Lady of the Assumption is an important tourist site in Antananarivo. It is open to the public and offers a breathtaking view of the city. In addition, the church is an important place of worship for the Catholic community of Madagascar. It regularly hosts masses and religious events. Here are some reasons why the Church of Our Lady of the Assumption is an interesting place to visit: Its neo-Gothic architecture is unique in Madagascar. The interior of the church is beautifully decorated. The church offers a breathtaking view of the city. It is an important place for the Catholic community of Madagascar. The Church of Our Lady of the Assumption is a symbol of the Catholic faith in Antananarivo. It is a must-see for all visitors to the Malagasy capital.

Neo-Romanesque church Elongated plan. Single nave. Flat chevet. Small building attached to the chevet. Higher and wider nave than the choir. Bell tower on the facade, topped with a polygonal spire and pierced by a semicircular portal with a trilobed decoration at the level of the tympanum. Semicircular bays. Apse pierced by an oculus.