20의 레 공즈가지 명소 & 주요 장소

The Abbaye-aux-Dames is built around the church of Sainte-Marie, built in the twelfth century. Famous for its facade and its characteristic "pinecone" bell tower, it is one of the emblematic monuments of Saintonge's Romanesque art. After several wars and fires, the place was restored in the 1970s and 1980s and is now a hotel. When you walk through the long corridors you feel like you have been transported back to the time when the abbey was still alive.

The Saint-Pierre Cathedral is located in the heart of the old town on the left bank of the Charente. According to tradition, the founding of this episcopal see goes back to Saint Eutrope. The construction of the first Christian building on the site of the current cathedral could not be dated with any precision. It probably dates back to the 6th century.

A former Benedictine abbey created in 1047, Abbaye-aux-Dames was the first women's monastery in Saintonge. These powerful women were nuns, that is to say, nuns living cloistered and having taken a vow of piety, occupying their lives in contemplation. They carried the crosier, in other words the pastoral staff of a bishop, and minted coins. Richly endowed, the abbey carried its influence well beyond the borders of the county and over time it became one of the most powerful women's monasteries in all of South-West France. With up to a hundred nuns at its peak, it was entrusted with the mission of instructing young girls, often from the French nobility, and counted among its most illustrious residents the future Marquise de Montespan, favorite of Louis XIV. The Abbaye-aux-Dames is structured around the Sainte-Marie church, built in the 12th century, famous for its facade and its characteristic “pine cone” bell tower. The premises were restored during the 1970s and 1980s and now house a Cité de la musique in which the Saintes Festival dedicated to classical music takes place each year. You can also stay in a wing of the building, the cells having been converted into hotel rooms, and leave your bike in a secure room.

A particularity is located in the gallery of arcature which overhangs the portal. Indeed it has three arched windows on one side of the central window and two semicircular on the other. Note that the two bays on the right occupy the same width as the three on the left. The bell tower, like many others in the region, has a pyramidal roof. Simple columns come to partition the two windows which cover each face. Inside the church, archival documents prove that the nave with two bays was originally vaulted with warheads. Unfortunately, this vault was destroyed during religious wars. Still according to archival documents, it would seem that at the beginning of the 20th century, a narthex, where the catechumens were held, leaned on its facade. Today, it has completely disappeared. The church was classified as a historic monument in 1913. The building underwent a complete restoration in 1935. To admire just next to the church a magnificent and majestic period residence.

The Church of Saint-Martin de Coucoury was built around the 11th century. It is a pretty example of a Romanesque church.

The current cathedral is the successor to an early Christian sanctuary built under Bishop Palladius in the 6th century (Wikipedia).

It was in the 12th century that the church of Saint Césaire was built. It is a Saintonge Romanesque style church.

The church of Coucoury, built along a Roman road, succeeded older sanctuaries of which only a few traces remain. It is dedicated to Saint-Martin. Most of the single nave building that exists today dates from the second half of the 12th century. Outside, the apse is the most remarkable element; it is limited, on either side, by two buttresses and divided, by two semi engaged columns, into three parts each pierced with a semicircular window. The whole is unified by an elegant border surmounting the windows and connecting them to each other. This very simple harmony is completed by a modillion cornice. On the south wall, the elevation of the nave has preserved fragments of a facing of small cubic rubble and traces of windows, witnesses of an older construction (11th century). This wall is pierced by three Romanesque windows. The square bell tower is massive. It is covered with a four-sloped, almost flat roof, and has two of its faces with beautiful twin Romanesque windows. At the end of the 15th century a chapel was added on the north side. Finally, the western facade is much more recent; indeed the nave, lengthened by nine meters in 1770, ends with a classic facade of fairly good quality with its bosses and its pediment. We can regret the elevation of this new facade in the 18th century because it deprives us of the 12th century facade. You enter the church through a bare door surmounted by a rectangular bay and an imposing triangular pediment (late 18th century). Inside, the nave – high, quite large and without side aisles – is lit by five pierced semicircular windows pierced in the 18th century. The stained glass windows were made in 1869. The walls, in exposed rubble, reveal breaks in the structure, which makes it possible to distinguish the constructions of the Romanesque period from those of the Classical period. In particular on the south wall where you can still see the walled bays of the first Romanesque building (11th century). On the left as you enter: an original stone baptismal font, made up of two twin basins and engraved with eight crests bearing the names of priests. These baptismal fonts date from the 17th century. At the other end of the nave: a stone pulpit dating from 1876. It is a very beautiful Romanesque church in the Saintonge countryside where the centuries have mixed styles for the greatest pleasure of the eyes.