4.7
(8)
268
자전거 타는 사람
117
라이딩
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마지막 업데이트: 4월 9, 2026
5
자전거 타는 사람
94.6km
03:49
420m
420m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
5
자전거 타는 사람
51.0km
02:07
320m
320m
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4
자전거 타는 사람
77.7km
03:15
390m
390m
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4
자전거 타는 사람
70.6km
02:52
370m
370m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
5.0
(1)
4
자전거 타는 사람
51.0km
02:26
290m
290m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
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The contemporary art center of national interest, La Chapelle Jeanne d’Arc de Thouars, is today a leading venue for contemporary art in the western region. Along with the Château d’Oiron and the Syndicat Mixte de la Vallée du Thouet, which runs a program of public commissions for contemporary works, the art center's work is carried out in partnership across the entire territory of the Pays Thouarsais community of communes and, more broadly, in the northern part of the Nouvelle-Aquitaine region. Within the region, the art center is a recognized player in the Astre plastic and visual arts network. Developing an artistic project that takes into account its geographical location and its architectural envelope, a neo-Gothic chapel, the art center maintains a privileged relationship with the heritage of Thouars. Guest artists, hosted for residencies or exhibitions, appropriate the chapel space by creating an original work designed for the venue. They also bring their perspective to the city, urban planning, landscape, and rural areas of the Thouars region and the Thouet Valley. Since 1993, nearly a hundred artists have been invited for residencies or exhibition projects. In recent years, the art center has paid particular attention to emerging artists from art schools, particularly those from the regional Le Grand Huit network. In addition to its programming, the art center also engages in outreach activities in the form of off-site exhibitions, workshops, and events (meetings, lectures, and workshops). A mobile device, La Mar(g)elle, was created in 2015 by the artist Marie-Ange Guilleminot to offer interventions in partner locations, particularly within schools and structures in the social and medical sectors. For its educational action, the art center benefits from the action of the municipal art school of Thouars, to which it is connected within the visual arts department of the City of Thouars.
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The Royal Abbey of Fontevraud is one of the largest monastic communities in Europe dating back to the Middle Ages. It is a place with a rich history, located in the heart of the Loire Valley and listed as a UNESCO World Heritage Site. The abbey is a unique cultural site! An abbey with a royal destination, a formidable prison is today a place of creation (museum of modern art).
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The Royal Abbey of Fontevraud is one of the largest monastic communities in Europe dating back to the Middle Ages. It is a place steeped in history, located in the heart of the Loire Valley and listed as a UNESCO World Heritage Site. Let yourself be carried away by the magic of this ancient site and discover the Royal Abbey of Fontevraud, an architectural and historical jewel that will fascinate young and old alike. Thanks to captivating exhibitions, fascinating guided tours and a rich cultural programme, you will immerse yourself in the unique world of this abbey, founded in the 11th century and once a necropolis of the Plantagenets. Every stone, every vault, every corner tells a story... But Fontevraud is much more than a historical site... Broaden your discovery with a visit to the Fontevraud Museum of Modern Art, which houses more than 800 works donated by Martine and Léon Cligman. A prestigious collection that combines ancient and modern art, for an artistic immersion through the ages. Triggered? Find out more at https://www.ot-saumur.fr/en/abbeys-and-religious-heritage/royal-abbey-of-fontevraud-5344942/
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In 1631, to thank his minister, Cardinal Richelieu, for his eminent services, King Louis XIII did him the favor of erecting "a town enclosed by walls and moats and building a market hall" and establishing four annual fairs and two markets per week. Thus emerged from nothing, an "ideal city" according to the precepts of the time which would bear the name of the Cardinal. Richelieu entrusted Jacques Lemercier, architect of the king, author of the Sorbonne and the Palais-Royal, with the task of building, on the site of the family property, a vast castle, a reflection of his grandeur and a new city, nearby. Nearly 2000 workers would work on the site. Inside the walls, the Cardinal gave the land to whoever agreed to build a pavilion within two years according to the plans filed with the city registry. The inhabitants will be exempt from tax and gabelle until there are 100 houses built. 4/5 of the project will be completed between 1632 and 1642, the year of the Cardinal's death. Contrary to the words of Jean de la Fontaine (who also ironically described the town as "the most beautiful village in the universe"), far from being deserted, the town had 4,000 inhabitants in 1690, compared to less than 2,000 today. This innovative project, which linked the construction of a castle and a town in the same program, foreshadowed the Versailles construction site that would open 30 years after the completion of the city walls of Richelieu. Adjacent to the walls, Richelieu Park, with an area of 475 ha, housed the vast estate of the castle of the du Plessis family (original surname of Cardinal Richelieu), of which only a few vestiges remain today. Richelieu is now a somewhat unusual town in the French landscape, with its three access gates and its two large symmetrical squares. Organized in quadrilaterals and perpendicular streets in the manner of American cities, it offers a unique testimony to urban planning of the Grand Siècle.
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Story of the Knight Robin against the Basilisk.
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