가장 멋진 명소 20곳

Magnificent 12th century church whose dark and massive interior is reminiscent of certain places of worship in Aubrac.

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The church was erected following the establishment of a Benedictine priory in the 11th century. Enlarged and remodeled numerous times, it nevertheless retains a certain unity. The nave, transept, and apse date from the 12th century and are in the Romanesque style. The side aisles were added at the end of the 12th century. Later, in the 15th century, an additional bay of the nave was built. As for the side chapels, pierced with Gothic windows and supported by powerful buttresses, they were added in the 15th and 19th centuries. Listed as a Historic Monument since 1862, built of noble materials (ashlar), the building has the dual distinction of being roofed by stone slabs and having two bell towers: one is octagonal and notably pierced with ogival bays, the other is a bell tower-arcade type with three bell bays. The three bays of the exterior side portal are richly decorated with arches and capitals adorned with flowers, petals, and sculpted figurines. They present a balanced composition of small columns and semicircular arches. Architecturally, note the sculpted modillions of the cornices overlooking the chevet and transept, as well as the elaborate decoration of the "south" portal, where Gothic elements coexist with Romanesque ornamentation (bas-reliefs depicting figures and interlacing). The west portal is decorated with elegant columns from the 13th and 14th centuries. Inside, admirable coffers painted with rosettes adorn the ceiling, and a magnificent 16th-century organ case sits on an entire wall. This organ case, equipped with an Italianate case dating from 1506, was restored in the 18th century and in 1966, following its listing by the Fine Arts Museum. It has also been undergoing a new restoration since November 2007, which was completed in July 2009, the date of its new commissioning. Accompanied by background music, lighting in several stages, and a constantly renewed decor, the Valréas nativity scene, one of the most renowned in Provence, occupies the Notre Dame-de-Nazareth church from Christmas to Candlemas. Covering 57 m², beautiful and very old figurines (some of which are centuries old) make their way towards the Infant Jesus. The church and its Place Pie serve as the backdrop each year for the feast of the Night of Little Saint John on June 23.

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The permanent model exhibition, housed in a specially adapted museum space, offers visitors around twenty models created by Jean-Claude Vangierdegom, a model maker with a passion for architecture, representing the main heritage buildings of the Enclave des Papes and the Pays de Grignan. The Château's Micro-Folie, a veritable digital museum with fifteen tablets, complements the free cultural offerings. Finally, the free year-round visit also includes a visit to the grandiose Salon d'Honneur, the Salle Scharf, and a climb to the belvedere, which offers a beautiful panorama of the town of Valréas and the surrounding landscapes. Furthermore, the Château de Simiane hosts a regular and varied program designed as an invitation to discovery, in an extraordinary setting for everyone: young and old, lovers of painting, photography, music, and more. The Château de Simiane has become a cultural hub, at the heart of Valréas life, with a Micro-Folie. For example, the castle serves as the backdrop for the Night of Little Saint John around June 23 and during the summer for many other festivities (July 14, Pink and White, concerts, etc.)

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The Hôtel de Simiane stands on the remains of an ancient residence believed to have been built by the Montauban family in the 13th century. Hugues Aymeric commissioned the construction of the two buildings still visible along Rue de l'Hôtel de Ville in the 14th century. The bulk of the current building was constructed in 1639-1640 by the Cavaillon entrepreneur Bernard Moureau based on plans by the Avignon architect François Royer de la Valfenière for Louis de Simiane (this Avignon architect is responsible for numerous buildings in the Comtat, including the bishopric of Carpentras). It was not until around 1780 that the symmetry of the composition was completed with the replacement of an old building with the south wing, based on plans by the Avignon architect Franque, who also designed the bishopric of Viviers. The château was owned by Louis de Simiane and his wife Pauline de Simiane, the granddaughter of the Marquise de Sévigné. It was thanks to the young woman that her grandmother's correspondence was published and made famous throughout the world. There is thus a direct link between the two châteaux, only a few kilometers apart: Grignan, where the Marquise stayed, and Valréas, where her granddaughter resided. In 1823, the Château de Simiane housed the college and the Justice of the Peace. It was only in 1843, by order of King Louis Philippe, that the town of Valréas was authorized to purchase the Hôtel de Simiane, which then became the Valréas Town Hall and Post Office. In 1913, the Château de Simiane was listed as a historic monument.

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Impressive restoration of the chateau after it's fairly comprehensive destruction on orders of the Revolution.

Shady stop off for coffee.

A visit to the château is highly recommended; beautiful castle in a beautiful location with a view of Mont Ventoux.

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The raised castle complex in the middle of the small town can be seen from afar. The once medieval castle was transformed over time into a Renaissance palace.

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