20의 타이니가지 명소 & 주요 장소

라 코르델 은수처는 프랑스의 첫 번째 프란치스코회 수도원입니다. 베즐레 언덕 기슭에 위치한 라 코르델 은수처에는 오늘날 프란치스코회 사명의 핵심인 신자든 아니든 모든 사람에 대한 형제애와 세심한 환대를 실천하는 세 명의 형제가 살고 있습니다.

This church, dedicated to the Holy Cross (Latin: "Santa Croce"), derives its patronage from the cross on which Jesus Christ died. The veneration of the Holy Cross is largely based on Saint Helena, the mother of Emperor Constantine the Great (who, after his victory at the Milvian Bridge in Rome, recognized Christianity as a religion and ended the long period of persecution with the Edict of Toleration of Milan in 312). She made a pilgrimage to the Holy Land (Israel/Palestine) in the early fourth century and brought numerous relics back to Europe, including the "True Cross," on which Jesus Christ was crucified. Helena is therefore often depicted with a cross as an attribute. The Church celebrates the Feast of the Discovery, public presentation, and veneration of the Holy Cross—called the "Exaltation of the Holy Cross"—on September 14th.

View of the bridge and the village, take the small path to go down below and reach the small stone bridge

The view from above of the old stone bridge is worth it. You have to stop on the upper bridge.

Great section, exciting bridge and great view of Vezelay

Very worthwhile visit to this beautiful church

Very small chapel with a Franciscan monastery. The monastery was only returned a few years ago. The monks are trying to rebuild the monastery through a project

A true jewel of Burgundian Gothic art, the church of Saint Père sous Vézelay deserves a moment of attention. Built from the 13th to the 15th century and dedicated to the Virgin, it only became a parish church in the 16th century, succeeding the old Saint Pierre church which gave its name to the village and whose ruins can still be seen at the exit. south of the village. The 13th century bell tower, elegant and airy, 50m high, is visible for miles around. In the middle of the 19th century, the building was in a very advanced state of disrepair. However, Prosper Mérimée describes it as "a gothic cathedral in miniature". Viollet-le-Duc, then 26 years old, fell in love with the church of Saint Père, the restoration of which he launched in 1841. He worked until 1844 on the choir, the chapels and the nave. and in 1868, ends with the bell tower. However, due to a lack of resources, he practically does not intervene on the porch (or narthex). This part, which is the most striking because it evokes real stone lacework, was then restored by Boeswilwald between 1888 and 1889.