4.4
(676)
4,372
자전거 타는 사람
346
라이딩
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마지막 업데이트: 3월 31, 2026
5.0
(3)
29
자전거 타는 사람
19.9km
01:13
80m
80m
초급용 자전거 라이딩. 모든 체력 수준에 적합. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
5.0
(1)
8
자전거 타는 사람
25.9km
02:04
200m
200m
보통 자전거 타기. 좋은 체력 필요. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
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4.5
(2)
9
자전거 타는 사람
35.1km
02:18
280m
280m
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7
자전거 타는 사람
101km
06:22
860m
860m
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6
자전거 타는 사람
21.1km
01:17
180m
180m
보통 자전거 타기. 좋은 체력 필요. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
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Absolutely beautiful, eyes filled with this landscape that puts a smile on your lips.
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troglodyte caves along the way, incredible to see all these rocks that man has dug out to settle there...
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I was quietly on the cycle path, a dilapidated but charming building appeared on the other bank...
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Superb, with unicorns on its grid!
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We know of Saints Gervais and Protais that they were Christian martyrs in the 2nd century in Milan. At the time, the Roman Empire forced all its subjects to worship the emperor, which was unacceptable to Christians. If they refused, they were crucified or sent to the arena to be devoured by lions between gladiatorial fights. Thus, Saint Ambrose, bishop of Milan, found them, in 386, buried side by side. This great bishop affirmed that they had been martyrs by fidelity to their baptism. He even added "They are of a prodigious size, such as one was in ancient times." Their cult reached Gaul where a large number of churches were dedicated to them.
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The parish church of Saint-Gervais Saint-Protais was consecrated in 1119 by Pope Calixtus 11. This Romanesque church saw its nave ravaged by fire in 1123. It was rebuilt in 1160. Thanks to funding from Queen Blanche of Castile, the people of Gisors built a Gothic choir, consecrated in 1249. It was built according to the Chartres model, common at the time in Ile-de-France, with a three-level elevation: large arcades, triforium and high windows pierced with oculi. Thanks to funding from charitable brotherhoods and trade corporations, the church underwent multiple transformations from the end of the 15th century with the addition of radiating chapels and an ambulatory at choir level. Entrusted to the Grappins, a family of architects from Vexin, the work continued in the 15th century with the reconstruction of the nave and the chapels of the side aisles in flamboyant Gothic style, then of the façade decorated with Renaissance motifs.
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