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very pretty little corner, with grassy path

Very pretty valley, quiet road

The triumphal arch of the beautiful church portal is typical of the late Renaissance. The round arch with carved cassettes is flanked by fluted Corinthian columns. The hall church interior was embellished with Baroque furniture in the 18th century. In the back of the nave a wreathed Assumption of Mary and a canopy with the dove of the Holy Spirit. At the back of the left nave is a beautiful altar with carved angels, fruits and flowers

The ornate town hall, built of brick and stone, dates from the 16th century. It was once the palace of Mary of Hungary, the sister of Charles V. The central loggia depicts Philip IV of Spain and Isabella of Bourbon, surrounded by the Seven Virtues. The loggia (bay window) dates from the time when the palace was converted into a town hall (1629); The hood was added in 1702. The mayor can address the people from here. The belfry is on the Unesco world heritage list

Places and monuments in Guisy: St. Thomas of Canterbury Church. It hosts 16 heritage elements classified or registered as objects of historical monuments. The monument to the dead.

The banks of the Canche are lined with wooded areas made up mostly of willows, alders or even ash. Among other things, they make it possible to limit flooding, slow down the current, stabilize the banks with their roots implanted in the banks.

The church bell of 1790 was classified as a monument historique in 1943

The Bras de Bronne, a tributary of the Canche that crosses the city, once served as a natural border. While part of the village was in Artois, the bell tower was in Boulogne: the parish came under the diocese of Boulogne. The patron saint is the founder of the neighboring diocese, Firmin, first bishop of Amiens. In the choir is a beautiful effigy of the saint, sculpted in the 16th century. Marles-Sur-Canche and its parish church dedicated to Saint Firmin contain treasures such as the statue of Saint Nicolas from the 16th century, the bronze bells from 1805 or the Altar from the 18th century. Despite its humble appearance, its history is set in stone. The building combines a sober nave with a beautiful choir in Flamboyant Gothic style, more slender. This contrast between the two sides is astonishing. The Saint Firmin church is thus strongly marked by the architectural heritage of the 15th century. The Marlois are attached to their church which, despite regular work since 1812 and the numerous renovations, shows a worrying state of health, visible by the numerous deteriorations: cracks, detachment of the cladding, broken stones, crumbling, weakened masonry of the buttresses, decaying structural wood.