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Placed under the patronage of Saint Hilaire, this parish was given by Gannelon de Montigny, lord of the place, to the abbey of Marmoutier around 1042. Its reconstruction probably dates from this period; it then became a priory. The church has a rectangular nave ending in a choir with a flat chevet. An examination of the masonry easily reveals two distinct periods of construction: the Romanesque period and the Renaissance. Built of flint rubble with rendering, the western part of the building appears to date from the 11th or 12th century. A limestone cornice supported by rather crude corbels underlines the base of the roof. To the south, two narrow Romanesque windows flared inwards light the nave. To the north, the bays were later reworked and enlarged. On this same side, a Romanesque doorway was walled up; It allowed the church to connect with a building whose traces of detachment remain. The bell tower was built to the north of the Romanesque nave, extending the western façade. The absence of a connection between the east and west walls of the bell tower and the north wall of the nave clearly indicates that it is an entirely later construction. However, its crowning is much later, as evidenced by its cornice, whose molding is in the classical style. Flanked by obliquely angled buttresses, it is covered with a saddleback roof. The eastern half of the church appears to be an extension built during the Renaissance period. Its ogee-shaped cornice and the decoration of the eastern gable, as well as the moldings of the buttress bands, attest to this dating. A vast rectangular choir then appears to have replaced a semicircular Romanesque apse; the eastern gable and the southern and northern façades were then pierced with networked bays. In the lower part of the north façade, projecting ashlars appear to have supported the roof of a lean-to building. To the south, a sacristy was built in the 19th century. Inside, the entire building is covered with a paneled vault with exposed tie beams and kingposts. The 18th-century high altar is surmounted by an Assumption of the Virgin inspired by Murillo's. For the restoration of the roofs and façades, the Sauvegarde de l'Art Français (French National Art Protection Agency) awarded a grant of €30,490 in 2001.

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The parish church dedicated to Saint Anne, perhaps more anciently to the Virgin, depended on the diocese of Chartres. This former possession of Ganelon, treasurer of Saint-Martin de Tours in the 11th century, was undoubtedly part of the important donation made by his descendants Eudes and Rahier de Montigny for the benefit of the chapter of Chartres Cathedral around 1160. This Romanesque building, 35 m long, with a single nave and flat apse, reinforced with buttresses and lit by round-arched windows splayed internally and simply chamfered towards the outside, was never vaulted in stone: it is covered with 'a paneled vault. The masonry is entirely made of Grison stone, including the frames, giving an austere appearance specific to this region of Perche. We enter to the west through a semi-circular door with a double arch into the lower room of a bell tower-porch established later inside the original nave. The upper part of this bell tower was pierced with semi-circular bays. The eastern one was obstructed during the installation of the high roof of the nave and the bells were placed above in a belfry under a frame. The interior of the building was in fact covered as a whole by a paneled vault with molded beams and punches from the 16th century. In the 17th century, the entire back of the choir was decorated with a large altarpiece with columns and pilasters, paintings and sculptures, of great decorative effect. A curious set of carpentry from the same period presents above a confessional a paneled pulpit surmounted by a large sounding board. Note in the furniture a carved Gothic canopy from the beginning of the Renaissance and on the glory beam a carved wooden calvary from the same period. The 19th century. added a gallery, repainted the vault and provided the windows with stained glass.

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Almost nothing is reliably known about the life of Saint George (Saint-GEORGES), to whom the church of Cloyes-sur-le-Loir was dedicated, but the veneration of his person goes back to early Christianity. A martyr identified with George is said to have lived in the third century. However, the legend of St. George as a dragon slayer is well known and widespread; he is usually depicted - in paintings or as a statue - as the conqueror of the monster, often as a knight on horseback. The memorial day of the very popular George - he is, among other things, patron of the English kingdom - in the calendar of saints is April 23rd.

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The bridge that crosses the Loir at Montigny-le-Gannelon offers a beautiful viewpoint below the castle. The splendid facades of this Renaissance-style building are clearly visible. A feast for the eyes.

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The house of La Rochefoucauld is one of the oldest families of the French nobility. In 1863, the Duke of La Rochefoucauld undertook the construction of a magnificent castle in the middle of the forest of Gaudinière. The castle was bought in the early 1920s by a wealthy Armenian merchant from New York, who wanted to organize a reception center for orphans from Armenia. Chance made that this castle was chosen, and transformed to accommodate a hundred children. After long and expensive development work, the center worked in good harmony with the surroundings, including the village of Ville aux Clercs. The estate created its own resources and even provided a profession for the accommodated teenagers. The castle experienced several fire alerts at the end of the 1920s. On Saturday November 17, 1934, around 9:30 am, an employee of the estate saw smoke emanating from the roof on the northeast side. Firefighters from neighboring towns rushed to the scene. They could not contain the fire, but a lot of furniture, and objects were saved from the disaster. The investigation concluded that there was a short circuit in the attic. The residents were housed in the redeveloped outbuildings, but their situation could not last like this. The New York patron, after two years of study and reflection, preferred to shift his efforts to the Armenian communities in Greece, and more recently in 1991 in Syria and Lebanon. The domain was then sold for a few thousand Francs between the years 1937 and 1938. It is a company, a subsidiary of the "Mines de Lens" in the north of France which bought the entire domain to reforest it, in order to s '' supply mine poles. The ruins were then demolished, dispersed, even looted.

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The Saint-Georges church in Cloyes-sur-le-Loir is beautifully situated. And you look at everything. If you are not careful, you overlook the oversized scallop shell. The tip here will help you. Look at the photos!

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