12의 솜수아가지 명소 & 주요 장소

Église Saint-Amand: The oldest part of the church, the north-east wall, dates from the 12th century. The rest of the building consists of numerous additions from the 16th century. The single-door portal is set in a rectangular loophole decorated with three coats of arms. It supports a bare tympanum surrounded by two archivolts, one of which has a plant decoration; A lightly braced gable rests on plinths outside the portal and rises above the whole.

The church of Saint Martin de Somsois dates from the first Gothic period, but was thoroughly restored in the 16th and 19th centuries. The three-bay nave is covered with sexpartite vaults which have been preserved in the first two. The two-bay choir is flanked by aisles and chapels. The three-sided apse dates from the 16th century. The west façade has retained its three portals. The central pointed arch portal was flanked by two column statues, of which only one remains (13th century). In the choir there are 4 painted panels from the 16th century, including a crucifixion.

The "washing place" is also interesting here. Also some half-timbered houses.

The Saint-Denis Church in Bussy-aux-Bois is a 12th-century church, classified as a historical monument in 1944, located in Gigny-Bussy in the Marne department in France.

The Roman Catholic parish church of Saint-Georges in Chavanges, a commune in the Aube department in the Grand Est region of France, dates back to the 12th century. In the 15th and 16th centuries the church was rebuilt in the Gothic style. The Romanesque west portal of the 12th century church has been preserved. The arched portal is framed by simple archivolts that rest on slender columns decorated with capitals. Stylized leaves, birds and a kneeling person are depicted on the capitals. The nave has three aisles and is divided into three bays. Adjacent to the nave is a two-aisled transept, which opens onto a wide choir. This has three apses with a polygonal end. The grisaille window with scenes of the Apocalypse was installed in 1540. The motifs are largely borrowed from Albrecht Dürer's woodcuts of the Apocalypse, which he published in 1498 in his “Big Book” with the title The Secret Revelation of Iohannis. Source: Wikipedia

"As of September 6, 1914, Mont Moret was to become the main stake in the fighting around Vitry-le-François. As in the other sectors of the Battle of the Marne, it was on this hillock of Hill 153 that the sacrifice of the French soldiers changed the fate of the weapons..."