Fanfare
Moon Ho Son
Two structures merge into one. The world of reality and virtuality is flat and three-dimensional in terms of form, and order and chaos in terms of expression. The content is formally mechanical and complex. However, if you look more closely at the hidden content between the pieces, you can discern the story of creation and destruction, with shamanic beliefs echoing like a fanfare between the artificial and rigid structures, unfolding as if you were looking at a finished sculpture. The defining perspective is not the present, but moves between past and future, yesterday and tomorrow, and here there is no difference in time, no beginning and no end, and there is movement and music.
Thus, a condensed axis forms at one point, and from there, a creative situation develops to the edge. Different worlds exist in harmony and consonance, not in conflict. This work is a sculptural expression of the medium between the "present" and the "next," moving between a world in which time, space, and thought are condensed.
Installation year: 2018