モーラオのおすすめウォーキング＆ハイキングルート

With the construction of the Alqueva Dam, and because Monsaraz is not only a monumental town, but also a high point from which to enjoy spectacular views of the waters of the great lake, the number of tourists in this area has increased exponentially in recent years.

https://pt.m.wikipedia.org/wiki/Castelo_de_Monsaraz

In a region dotted with megalithic monuments, it is believed that the earliest human occupation of this site dates back to a prehistoric hillfort, successively occupied by Romans, Visigoths, and Muslims, who derived their subsistence from activities related to the agro-pastoral economy. The place name is linked to the latter domain, since, in Portuguese, the word xarez (or xerez) derives from the Arabic saris (or sharish), designating the rockrose (xaras) vegetation then abundant along the banks of the Guadiana River. The place name Monsaraz thus evolved from Monte Xarez (or Xaraz).

Located on the left bank of the Guadiana River, it stands in a dominant position above the old medieval town. From its walls, you can see the surrounding plain with Monsaraz Castle to the north and the border with Spain to the east. It is classified as a Property of Public Interest by public decree. (Wikipedia)

From the walls you can see the surrounding plain with the castle of Monsaraz to the north and the border with Spain to the east.

At Mapcarta, the viewpoint is called Miradouro do Alqueva. From here, you have panoramic views of Albufeira de Alqueva and the town of Monsaraz.

This church has a life-size wooden sculpture of Jesus carrying the cross, a wonderful piece of contemporary history.

This is the most characteristic gate in Monsaraz, which is carved on the inside with two standard marks for the cloth market. The main entrance to the town, whose robust defensive structure is protected by two semi-cylindrical turrets. The one to the west, topped by the bell tower of the clock (probably built during the time of D. Pedro II), has a ribbed roof and, at the top of the dome, a bell cast by foreign artists Diogo de Abalde and Domingos de Lastra, with an inscription from 1692.