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The 35-hectare protected forest – located northeast of you – preserves and develops an old, groundwater-influenced forest site as a near-natural research area, strengthens the natural balance, protects endangered plants and animals, and simultaneously maintains its unique character and scenic beauty. As a valuable section of the vegetation mosaics typical of the Lusatian Lowlands, consisting of pine, spruce-pine, and birch-pedunculate oak forests, as well as a mesotrophic-acidic fen, it is being scientifically studied in the long term without direct human intervention.

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The church, a Baroque hall church, originated from a medieval brick building and is probably the oldest structure in the city. It was repeatedly destroyed and rebuilt due to fires. The current structure is likely the reconstruction from around 1718. The interior is dominated by the Leipzig green paint applied in 1831. https://de.wikipedia.org/wiki/St.-Katharina-Kirche_(Elsterwerda)

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Initially, a rectangular concrete fountain was erected in the park in 1967. Inside, there were five fountain-like water features. During the term of Mayor Wolf-Dieter Schwarz (1975–1991), bronze figures were later integrated. These were designed by the Hohenleipisch sculptor Hans Eickworth, who died in 1995, and modeled after the Elsterwerda town coat of arms used until 1994. The fountain's main figure is a bronze magpie. Two other bronze figures depict lilies. The lilies originally came from the coat of arms of the noble family von Köckeritz, who were the lords of Elsterwerda from 1367 to 1512. They were later also incorporated into the Elsterwerda town coat of arms. https://de.wikipedia.org/wiki/Markt_(Elsterwerda)

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To mark its 20th anniversary in 2013, the Elsterschloss-Gymnasium Support Association commissioned the creation and installation of an art installation on the grounds of the present-day Elsterschloss-Gymnasium. As part of the "Art at the Castle" project, a bronze casting model of Elsterschloss Elsterwerda was created. This model provides information about the former and current uses of the building complex, as well as its historical context throughout its existence, thus further enriching the castle's presence. https://www.elsterschloss.de/kunstobjekt.html

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The Saxon post milestone stands near the Protestant town church of St. Catherine on the main street. This distance marker, dating from 1738, is considered an important piece of cultural heritage and a landmark that shapes the townscape. In August 2025, the approximately 4.60-meter-high column was dismantled for professional restoration. https://www.elsterwerda.de/kursaechsische-postmeilensaeule-erstrahlt-im-neuen-glanz/

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Beautiful, well-paved section of the Elster cycle path between Elsterwerda and Plessa

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Well-paved cycle/dyke path between Eltserwerda and Plessa

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In the heart of the city, where the cobblestones still echo the footsteps of past footsteps, the Protestant Church of St. Catherine rises – not loud, not ostentatious, but with the simple dignity of a building that doesn't seek to please, but rather to tell a story. And it does, with every joint in the walls, with every shadow cast under the pointed spire. The first glance belongs to the tower – hexagonal, light-colored plaster, with a roof that seems to stretch out of time. Two clocks silently gaze at the square, as if to say: Time passes differently here. Perhaps a little slower. Perhaps a little more honestly. If you turn around, you can still see the bookstore with its golden lettering and the old pharmacy, now run by Italians – a juxtaposition of eras that doesn't interfere with each other, but rather supports each other. The benches at the monument invite you to linger, and if you take a seat there, you have the church behind you and the city in front of you – or vice versa. Sometimes, when the light is low, a reddish glow falls on the wall behind the church, where an old tree stands, its branches spreading like a shield over the nave. You don't have to be religious to feel something here. It's enough to be still. St. Catherine's isn't a church that imposes itself. It's one that remains. A place between times, firmly rooted and yet light as a thought in the early evening.

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