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This is the location of the Battle of Edgehill, a pitched battle of the First English Civil War occurring on Sunday 23rd October 1642. A detailed information board stands here describing how the event unfolded, offering a fascinating window into the area's past.

The King Stone is a standing stone in the Cotswolds, England, which dates back to the Bronze Age. It is believed to have been a marker for ancient trade routes or a ceremonial site.

The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a decisive advantage.

A cool house. It's not your usual polished national trust house it's good for exploring

Remember to always keep a pace when going up a big hill

Worth checking out if you have the chance

Nice lights in the grave yard

The parish church of ST. MARY consists of a chancel with a small north vestry, nave, north and south transepts, south porch, and west tower. The building dates from about the middle of the 12th century, when it had a chancel and a nave of the present size. The west tower was the first addition, late in the same century. Early in the 13th century the chancel was rebuilt; its width and the thickness of its walls are doubtless those of the 12th century, but its length was increased. The north transept appears to have originated in the 13th century as a short aislechapel with an arcade of two 8 to 9 ft. bays, but the transept was apparently enlarged in the 15th century when the arcade was altered from two bays into one large bay with the re-use of the older material. Most likely the south transept was then added to complete the crossshaped plan, but it has been almost entirely rebuilt in modern times (1846 ?). The clearstory of the nave was a mid-late-14th-century addition but the roof shows no detail earlier than the 16th century. The top stage of the tower is a late-15th-century heightening and the south porch an early-16th-century addition. The church was restored in 1846, apparently rather drastically; further repairs were done in 1911, when the blocked tower archway was reopened and the nave roof opened out. The roof had to be repaired again in 1939 owing to the ravages of the death-watch beetle. The chancel (about 26½ ft. by 14½ ft.) has an east window of four cinquefoiled lights and tracery of 15thcentury character in a two-centred head with a hoodmould. Only the splays and the rear-arch are ancient. In the north wall are three 13th-century lancets, of one chamfer outside and with wide rubble splays with ashlar dressings and segmental rear-arches. The lower part of the middle window has been cut away for the modern doorway to the vestry. The south wall has two windows of c. 1500, each of two elliptical-headed lights under a square head. The external labels have return stops, above which are carved lozenges or squares. The masonry is greyer than that of the walling. Between them is a 13th-century lancet, and below this is a priest's doorway with jambs and pointed head of curiously unconventional mouldings, having quasicaps at the springing-level and a hood-mould with human heads carved above the return stops. There is another similar head carved on the sill of the lancet above it. The doorway has an elliptical rear-arch. Below the south-east window is a small 14th-century piscina with a trefoiled ogee head and remains of a round basin, and west of it are three sedilia with moulded stone seats at one level: the recesses have ogee heads and foiled panels above them under a square main head. The east half is ancient, probably 14th-century, the west half is modern, and the westernmost recess has a cinquefoiled head. In the west half of both side-walls, which are unusually thick for the 13th century, are four stall-recesses with hollow-chamfered jambs and plain pointed heads of the 13th century. The walls are of coursed ashlar in yellow Campden stone and without plinths. There is modern ashlar below the east window; probably the sill was lower than now. At the east angles are 15th-century diagonal buttresses. The east wall is gabled and has late-18th-century copings and modern kneelers. The gabled roof is hidden by a segmental plastered ceiling. It is covered with tiles and has eaves gutters. The chancel arch has a round head of three square orders towards the west and two towards the east. The chamfered innermost order of the responds is mostly modern; the other orders are carried on nook-shafts (restored) with the original 12th-century capitals: the outer northern on the west face is carved with a human mask, at the angle, and interlacing strap ornament. The other capitals are of cushion type, two on the west face having cheveron line-ornament cut in the curves. The chamfered abaci are carried to the side walls as stringcourses and stop the ends of the grooved and chamfered hood-mould. In the north wall of the modern vestry is a re-used window of two trefoiled lights and tracery in a twocentred head, mostly 14th-century work. The nave (57½ ft. by 21½ ft.) has an archway of about 17 ft. span at the east end of the north wall opening into the transept. It has a two-centred order of two chamfered orders with small and medium voussoirs and plain chamfered hood-moulds on both faces, with head-stops under the west ends. The east respond is of two similar orders, the inner with a modern moulded capital. The west respond is an early-13thcentury round pillar set against the south-west angle of the transept and having a moulded base and capital. If the re-used material is indigenous the whole feature seems to have been a 15th-century remodelling of an earlier arcade of two narrow (8 to 9 ft.) bays. West of it—only 8 ft. from the respond—is a 12 in. round-headed window of the 12th century. The 12th century north doorway is a plain feature with a reset segmental head of two square orders, and grooved and chamfered abaci and hood-mould, carried on jambs also of two orders, the inner chamfered, the outer with a roll mould. The bottom of the doorway is walled up, the rest being converted into a window. On the south side is a wide pointed archway into the south transept, all modern; and west of it a 12th-century window like that opposite. In the west half of the wall is a window of c. 1330, of two trefoiled ogee-headed lights and a quatrefoil in a two-centred head. The south doorway, of the 12th century, was altered in the early 16th century, only the original outer order of the head and hood-mould being left in place. Both have zig-zag mouldings of the usual sections, the hood having pellets in the indents. It has been cut into two by an early 16th-century cinquefoiled ogee-headed niche for an image. This has side-pilasters with pinnacles; the head has crockets and a finial, all rather crudely cut. The doorway has jambs and depressed four-centred head of two orders, the outer hollowed. There are four steps down from the porch to the nave floor. The clearstory is lighted in each side by three windows of two trefoiled ogee-headed lights and foiled piercings in a square head without a label. The jambs are of two chamfered orders. The thick nave walls are of 12th-century irregular rubble in Campden stone with ashlar dressings at the west angles. The plinth, if any, is hidden by the higher ground of the churchyard. There are no buttresses. Inside the masonry has been revealed by the removal of the dado wall-lining: the original masonry is of large irregular rubble, but 3½ ft. west of the west angle of the north transept is a vertical break and a change to coursed and squared small rubble, probably of the date of the transept. The upper parts of the walls are plastered. At the base of the comparatively tall clearstory is an external weather-course, the face above setting back a few inches and being of roughly squared rubble. The plain parapets have a moulded coping and stringcourse. The roof was restored in 1939. It is low-pitched and divided into five bays by moulded tie-beams, probably of the 16th century, with wall-posts and curved braces. On the soffits of three are bosses carved from the solid, two with conventional rosettes and one with an ihs centre. The trusses are carried on stone corbels, some with plain shields. On the east face of the tower is the weather-course of the former steeply pitched gabled roof, its apex reaching to the top of the second stage. The north transept (about 20½ ft. square) has modern three-light traceried windows in the east and north walls. In both side walls are two 15th-century clearstory windows, each of two trefoiled pointed lights and tracery in a square head with an external label having square volute stops. The walls are built of coursed rough ashlar with a chamfered plinth. There are 15thcentury diagonal buttresses at the north angles, and at the south end of the east wall is a slight projection, probably the north-east angle of the original nave. The parapets are plain and have old copings and stringcourses differing from those of the nave. The north wall has a low-pitched gable. The roof has been much repaired but retains a 15th-century middle truss with a cambered tie-beam on wall-posts and curved braces. It has stone corbels and there are corbels for two other former trusses. The south transept (about the same size) is more or less a replica of the other. The windows are modern, except for the two clearstory windows in the west wall. The west wall and the south wall, excepting the gablehead, are of ancient yellow rubble, probably re-used material. Reset in the south-east angle inside is an incomplete vertical carved stone with a collared and chained bear squatting on its haunches and below it part of another beast, perhaps a dog. What purpose it served is not evident. The roof of two bays is modern. The south porch (8½ ft. square), of the early 16th century, has a four-centred entrance with a hollow mould outside and chamfer inside, both with broach base-stops. In the side walls are unglazed square-headed windows of two lights. The walls are of largish coursed yellow ashlar and have a moulded plinth and plain parapets. At the angles are diagonal buttresses. The lowpitched south gable has a shield carved on the parapet, charged with four bends. There are stone benches inside. In the east wall is an ogee-headed stoup with a shallow basin. The west tower (about 15 ft. north to south by 13 ft. inside) is of four stages, the three lower diminishing outside and divided by plain weather-courses. The lowest stage is of coursed yellow ashlar in medium-large stones, some of which still show the original diagonal tooling, and has a low moulded and splayed plinth. At its west angles are shallow clasping buttresses and at the east similar buttresses, but the sides are flush with the east wall. Between them in all three walls are narrower buttresses. All are tabled back at the lowest stringcourse level, except the south-west containing the stairvice, which rises to the top of the third stage. The masonry of the second and third stages is of similar but somewhat smaller courses. The 15thcentury top stage is of larger and smoother yellow ashlar and has a moulded base-course and an embattled parapet of greyer stone. The parapet string-course has a middle gargoyle in each face. Above each was originally a pinnacle, of which only the V-shaped pilaster remains in the parapet: there were also angle-pinnacles. The stair-vice in the south-west angle is approached by a right-angled passage from a square-headed doorway at the south end of the west wall inside and is lighted by west loops. The steps are badly worn. The very plain archway from the nave has responds and round head of four continuous chamfered orders towards the nave and three towards the tower: the arch has pressed the responds out of perpendicular. The west and south walls have original round-headed windows, 18 in. wide, piercing the intermediate buttresses: below the western was a 17th-century doorway with a square head, now blocked. The next story has a similar west window and in the east wall is a round-headed doorway, now mostly restored inside with brickwork, with steps up through it on to the nave roof: it opened originally into the earlier gabled roof-space; north of it inside is an old locker rebated for a door. Another window in the south wall is now blocked. This chamber has an ancient floor, open-timbered below. The third stage, the original bell-chamber, had each wall pierced by a wider window, now indicated only by straight joints in the masonry. The fourth stage, the late-15th-century bell-chamber, has a window in each wall of two trefoiled ogee-headed lights and a quatrefoil in a straight-sided four-centred head without a hood-mould. The jambs and head have large external splays. There is no floor between this chamber and the older chamber below. The lowpitched, almost flat, roof is apparently of modern repair. The font has a plain octagonal bowl with a hollowed under edge in a chamfer; it is probably of the early 16th century, but the upper half of the stem is a curious and rather clumsy attempt at quasi-Norman decoration by cutting engrailed, indented, and foiled edges in faces diminishing downwards, the lower half being splayed and the base chamfered. The altar is a small early-18th-century table with shaped cabriole legs. In the tower is a 16th-century iron-bound chest with a half-round coved lid which has been restored: it has three locks. A badly worn stone effigy is that of a priest in mass vestments, probably of the early 15th century: the head rests on a cushion, the feet on a dog. It now stands upright in the tower. On the east wall of the north transept is a plain panelled stone tablet with a pedimental head, set up by John Palmer to his father Richard, died 1582, and to his own wife Frances daughter of Nicholas Overbury of Borton, died 1601, with her only son Richard. There are three shields of arms. On the same wall is a brass plate to members of the Brent family, starting with William, lord of Stoke and Admington, 1595, and Elizabeth his wife, and continuing to 1666. There are also four detached shields charged with a wyvern. On the west wall of the transept is a tablet, like that opposite, to Giles Palmer eighth son of John and Eleanor (Rouse), died 1665, placed by his widow Elizabeth daughter of Henry Jones of Chastleton. Also a small brass to Edmund sixth son of Henry Jones, 1667(8); and another to Dorothy widow of Giles Palmer and daughter of Humphrey Lyttelton, 1763. There are uninscribed floor slabs, two with brass shields with the Brent wyvern. There are grave-slabs in the nave to Joan wife of Richard Canning of Foxcote, 1685, to Apolonia wife of Frances Canning, 1712(13), and to Thomas Canning son of Richard, 1716. There are five bells by Henry Bagley, 1641. The communion-plate includes an Elizabethan chalice with a cover bearing the date 1571; and a flagon given by Michael Sparke in 1640. The registers begin in 1588. In the churchyard is a stone carved with a crucifix on one side—perhaps the base of a 15th-century cross. There are also several 17th-century tombstones, and one to Hutton Corbet, who died in 1706, aged 106 years, 9 months, and 11 days.

Views over the Warwickshire plains, edge hill was one of the battles in the English Civil war

The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a decisive advantage.

St Mary’s is a Grade I-listed church in the heart of Ilmington. The church dates to the early 12th century and was modified over the following 500 years. The church has 19th-century stained glass, 16th-century brasses, 15th-century effigies, plus more.

The King Stone was erected in early to middle Bronze Age, probably around 1,500 BC. Rather than relating directly to the much older Neolithic Stone Circle, the King Stone was likely erected as a permanent memorial to the Bronze Age round cairn 17m across with a central chamber, which lies immediately to the north-east set exactly on the top the ridge.

The Whispering Knights dolmen was built in the early Neolithic period around 3,800BC, which predates the Stone Circle with over a thousand years and makes it one the earliest funerary monuments in Britain. It is a 'portal dolmen' burial chamber that consists of four upright stones and a large fallen capstone. Archeologists have found early Neolithic, Beaker and early Bronze Age pottery in the immediate vicinity of the site, which suggests that the dolmen was venerated over many centuries.

The King's men ceremonial stone circle is from the late Neolithic period, most likely around 2,500BC. The Stones are made of natural boulders of the Jurassic oolitic limestone forming the bulk of the Cotswold hills and likely collected from within 500m of the site. The archeological evidence suggests that that stones originally formed an accurate circle but have grown less so with restorations over time. The stone circle closely resembles some found in the Lake District, especially the Castlerigg near Keswick, and Swinside north of Ulverston. They consist of close-set stones, a portalled entrance and levelled interior. Originally the stones may have numbered 105 standing shoulder to shoulder - but do try counting the stones - they are said to be uncountable.

Good stopping point ...

This ceremonial stone circle was erected around 2,500BC. At present there are seventy-odd stones of heavily weathered local oolitic limestone (see Geology) set in a rather irregular ring about 31m across. They were poetically described by William Stukeley as being “corroded like worm eaten wood, by the harsh Jaws of Time”; they were said to make “a very noble, rustic, sight, and strike an odd terror upon the spectators, and admiration at the design of ‘em”. More recently, Aubrey Burl called them “seventy-seven stones, stumps and lumps of leprous limestone”. The number of stones has changed over the years. Legends refer to stones having been taken away (to make bridges and the like), and it is likely that this created most of the gaps now visible. The stones are famously uncountable, but originally may have numbered about 105 standing shoulder to shoulder.

This fine standing stone is located just off the crest of the low rise that supposedly prevented the King seeing Long Compton. Immediately to the north-east there was an early Bronze Age round cairn 17m across with a central chamber (of which the capstone peeps through the grass) set exactly at the top of the ridge.  There was at least one other Bronze Age barrow nearby and excavations in the 1980s revealed human cremations marked by wooden posts and others inserted into the top of the cairn.  The King Stone is most likely to have been erected around 1500 BC as a permanent memorial to the burial ground rather than being an outlier to the much older Stone Circle. The name ‘King Stone’ may have originated, like some other standing stones of the same name, from its use to mark an important meeting place associated with an extensive Saxon cemetery in the vicinity;  but if so, the name may only reflect the adoption of the pre-existing standing stone.

Built between 1607 and 1612, Chastleton House tells an enchanting story. Originally owned by rich wool merchant Walter Jones, the house became the scene of a drug dupping during the Civil War in a bid to save the owners life. Today, the property is owned by National Trust. Visitors can learn about the fascinating history for themselves from 1pm - 5pm Wednesday to Sunday. Entrance for adults costs £12.50. You can find more information about visiting the house and gardens here: https://www.nationaltrust.org.uk/chastleton-house

Chastleton House was built between 1607 and 1612, for Walter Jones, who had made his fortune from the law, although his family were originally Welsh wool merchants. The estate was bought in 1604 from Robert Catesby, although his residence was demolished to make way for the new house and no traces of the original building on this spot remain. The house is built of Cotswold stone, round a small courtyard, called the Dairy Court. Chastleton House is famous for an episode from the English Civil War in which a loyal wife duped (and drugged) Roundhead soldiers to save her husband. Sarah Jewell, the granddaughter of the last owners of the manor, recalls her childhood reenactments of the scene: "My sisters and I used to love running around searching for the secret room where Arthur Jones, the grandson of Walter Jones, hid after the Battle of Worcester in 1651. Arthur was a Royalist and had been fighting for Charles II but the troops were defeated by Cromwell and Arthur galloped back to Chastleton with Cromwell's soldiers in hot pursuit. His quick-witted wife, Sarah - my childhood heroine - hid him in the secret closet over the porch and although the pursuing soldiers found his exhausted horse in the stables they couldn't find him. Sarah saved Arthur's life by lacing the soldiers' beer with laudanum and saddling up one of their horses for his escape as the soldiers slumbered. My sisters and I used to lie on the bed in the secret room and pretend we could hear the horses galloping towards us. The bed has now gone and the entrance to the room is barred with one of the National Trust's trademarks: a rope." https://en.wikipedia.org/wiki/Chastleton_House

Great view - nice place for a pick nick. Great view, place for a picnic ...

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