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It’s a really nice place to get to and have a café ride. It’s nice to just ride around the reservoir. 

Encompassing a stretch of 3 kilometers along the northern bank of the River Leam, this nature reserve features a diverse range of habitats including woodlands, grasslands, marshes, and ponds. The ecological significance of this area lies in its capacity to support various bird species, butterflies, dragonflies, and a vibrant array of wildflowers. Apart from this, the reserve also has amenities such as a skateboard park, an adventure playground, and a dedicated area for children's play. These facilities have been strategically situated at a distance to ensure minimal disruption to the local wildlife.

Not a hint but here's some History you might find interesting. 😁 The Cat street art in Leamington Spa is a notable mural created by the street artist Much Rock. The mural is located on the side of a building on Warwick Street, in the town center of Leamington Spa, Warwickshire. Much Rock is a renowned street artist who has created many murals and artworks across the UK and beyond. The Cat mural was created in 2017 and quickly became a popular attraction in Leamington Spa, drawing visitors and locals alike to the area. The Cat mural is a large-scale artwork that depicts a cartoon-style cat with a mischievous expression on its face. The cat is painted in bright, bold colors, and its features are highly stylized and exaggerated. The mural is situated on a brick wall, which provides a textured background for the artwork and helps it to stand out. The mural was commissioned by the Leamington Underground Cinema, a local arts organization that promotes underground and alternative cinema. The Cat mural was intended to be a playful and eye-catching addition to the area, and it has succeeded in that goal. Since its creation, the Cat mural has become a popular photo spot for visitors to Leamington Spa, and it has also helped to raise the profile of street art in the town. The mural has been well-received by locals, and it has been credited with adding to the cultural vibrancy of the area. The Cat mural is just one of many street art works that can be found in Leamington Spa and the surrounding area, and it is a testament to the creativity and talent of Much Rock and other street artists who are pushing the boundaries of art and expression in public spaces.

....an honour shared with The Countryman in Staverton, both a lofty 172m

....an honour shared with The Red Lion at Hellidon, both a lofty 172m by my reckoning

The komoot suggested track through Munro's is solidly gated at the Draycote end. So take the short detour via Birdingbury village

You get on here at bottom of the hill going towards Draycote.

The church of ST. ESPRIT is situated on the west side of the Southam-Coventry road at the junction of the River Leam with the Itchen and stands in a small churchyard near the centre of the village. It was almost entirely rebuilt in the gothic style in 1871 and all that remains of the earlier church is the lower stage of the tower and the south arcade, both of the mid-14th century, together with an early-13th-century south doorway. The present church consists of a chancel, nave, north and south aisles, west tower, organ-chamber, and south porch. It is built of squared and coursed limestone with sandstone dressings and all the roofs are tiled. The lower part of the east wall of the chancel still retains some of the earlier walling of roughly coursed rubble with red sandstone dressings. It is lighted on the east by a pointed tracery window of three ogee trefoil lights and by a two-light on the south, both with hood-moulds. The east wall of the south aisle has a single trefoil light; the south side a three-light and a single light with trefoil heads; the west a similar window, but with two lights. The porch has a pointed entrance arch, the mouldings continued down to splayed stops. The 13th-century doorway has a pointed arch of two orders, the inner a splay and the outer a large roll-moulding, supported on detached shafts with moulded capitals and splayed impost, the outer jamb is chamfered, with a moulded stop below the impost moulding. The tower is in three stages without buttresses and it diminishes with a splayed offset to the second stage. From half way up the second stage it has been entirely rebuilt in a light-coloured sandstone ashlar. The original walls are built of coursed limestone rubble with red sandstone dressings and, except on the north side, bands of red sandstone in the middle of the first stage and again at the base of the second stage. The west face has a narrow trefoil ogee-headed window in the first stage, and in the second a narrow lancet to the ringing-chamber. The belfry has windows with pointed arches on each face, of two trefoil lights, labels with head-stops, and a string-course at the sill level. Above is a plain battlemented parapet on a moulded string-course. A modern lobby has been built at the junction of the tower with the south aisle to give an external entrance to the tower. The chancel (18 ft. 6 in. by 14 ft.) has a tiled floor, a collar-beam roof, plastered walls, and two steps to the altar. The east window has a pointed moulded rear-arch supported on shafts with moulded capitals and bases and a hood-mould with foliated stops. On the north side there is an arched opening into the organchamber. The nave (31 ft. 7 in. by 19 ft. 6 in.) has a hammerbeam roof and a tiled floor. The 14th-century arcade has two bays of pointed arches of two splayed orders supported on octagonal pillars with moulded capitals and bases, the responds repeat the arch splays and have similar moulded capitals and bases. The north arcade is a copy of the south but with more elaborately moulded capitals. Above the apex of each arch there is a pointed two-light clearstory window with widely splayed jambs and sills. The tower arch has been replaced with a modern low segmental one of two splayed orders. The chancel arch is pointed, of three splayed orders supported on three attached shafts with foliated capitals and splayed bases. The north and south aisles (31 ft. 10 in. by 8 ft. 6 in.) have lean-to roofs, tiled floors, and windows with reararches of three trefoils supported on shafts with moulded capitals and bases. At the eastern end of the south wall a badly mutilated 14th-century piscina has been built in. The tower (10 ft. 9 in. by 7 ft.) has been strengthened by increasing the thickness of the north and south walls and carrying over a segmental vault. The pulpit, placed on the south side of the chancel arch, is octagonal, of stone and coloured marble with open traceried panels. The font is also of stone with an octagonal basin, sunk trefoil panels, and stands on an octagonal coloured marble stem moulded at the base. The communion plate is modern except for one large and one small silver paten with hall mark 1773. There are three bells (fn. 47) by Hugh Watts, dated 1616, 1623, and 1624. The registers begin in 1660.