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Great 7 km through pure nature!

a small square, in a town with ancient, village rhythms and flavours, without haste. The church of Sant'Antonio Abate in Ferla is a place of worship located in via Vittorio Emanuele in the area called the Quattro Canti of Ferla. From an artistic point of view it is the most complex of the city's churches. Built after the Noto earthquake, note the absence of the left tower, which collapsed after the 1908 earthquake.

The square of Palazzolo is the baroque square par excellence which led to the attribution of the title of UNESCO Heritage. The church was built after the devastating Noto earthquake with a new style that was in vogue in the 1600s. Baroque indeed. The church is stupendous, towering above the square, full of solemnity and sacredness like few others.

https://sicilyintour.com/luogo/ponte-santalfano-a-canicattini-bagni/

At almost 1000 meters above sea level, Monte Lauro is the highest point of the Iblei Mountains. It can be reached from different sides.

In the heart of the majestic Iblei mountains, in the hinterland of the province of Syracuse, stands Palazzolo Acreide, a picturesque town that presents itself as a true treasure chest to be discovered. It is a place of cultural crossroads, where the past intertwines with the present, creating a unique and fascinating urban structure. This city boasts recognition as a UNESCO heritage site. Here, antiquity blends harmoniously with modern architecture, offering an extraordinary experience. Three main places outline the identity of Palazzolo Acreide: the ancient Greek settlement of Akrai, located in the upper part of the city, with its well-preserved remains and a Greek theater that still shines in its grandeur; the suggestive medieval centre, dominated by the mighty castle; and the upper district, skillfully rebuilt after the devastating earthquake of 1693, with its baroque churches and elegant noble palaces.

The theatre, discovered in 1824 by the diligent Judica, has been the subject of significant excavation, restoration and reconstruction works. The accuracy of the interventions is also due to the contribution of Bernabò Brea, another scholar who dedicated time and energy to this historical monument. The cavea, partially sunken into the hillside, has nine wedges and an estimated 14 steps. Access to the auditorium was via narrow passages located on the sides of the stage, given that the traditional parodoi were absent. Although not of impressive dimensions, this theater revealed its potential through a meticulous reconstruction that involved up to the twelfth step.