フォリニャーノでののおすすめウォーキング＆ハイキングルート

Beautiful Art Nouveau interior. In mid-September, we're the only guests inside, enjoying the ambiance, friendly service, and special ice cream flavors. The toilet, integrated into the vanity, offers glimpses of old foundations.

Googleによる翻訳•原文を表示

It was a short "walk" the goal was to do a climb that is just below Mount Vena Rossa

Googleによる翻訳•原文を表示

short but steep path

Googleによる翻訳•原文を表示

The building, dedicated to St. John the Baptist, shows three structures: an internal one from the Roman Augustan period, presumably a pagan temple dedicated to Hercules; an internal basin used as a baptismal font for immersion by the early Christians (400-500 AD), of which only the part of the hollow on the floor remains, and an external structure inspired by the canons of Romanesque architecture of the 10th-11th centuries. The external structure of the building is characterized by a lower square part (with two simple portals) and an octagonal upper part; the eight upper faces are adorned with three blind arches, except the face facing east, which has two groups of twin arches. A small lantern dominates the whole, while under the eastern facade you can see remains of Roman buildings. (c) https://letsmarche.it/-/battistero-di-s.-giovanni-2

Googleによる翻訳•原文を表示

The church was begun in 1280 by the Dominican order, in memory of the visit of friar Pietro da Verona to Ascoli in 1250. Construction continued until the 16th century. The facade of travertine blocks has three rounded oculi and a single portal with two flanking columns extending from a rounded pediment. The facade portal was designed by Giuseppe Giosafatti (1643–1731). The lateral portal faces the piazzetta and has Doric columns (1523), designed by Cola dell'Amatrice. Apse of the church On the side walls is an inscription with the tax and customs laws of the city. The interior with three naves has a number of travertine altars. The main altar was designed in 1724 by Giuseppe and Lazzaro Giosafatti, it is decorated with a Madonna del Rosario by Luigi Devò flanked by marble statues or the allegories of purity and humility. The church also has paintings by Lodovico Trasi, Giuseppe Angelini, Giovanni Battista Buonocore of Campli and Tommaso Nardini. The side walls have frescoes from the 13th and 14th centuries. The relic of the Sacred Spine is sheltered in a 15th-century gilded silver reliquary by Nicola da Campli. (c) Wikipedia

Googleによる翻訳•原文を表示

Palazzo Bazzani, also known as the Cassa di Risparmio building, was designed by Cesare Bazzani, an architect who designed many public works in central Italy. It was built between 1912 and 1915, after the demolition of the Benedictine monastery complex of Sant'Onofrio. On the rear façade, three Gothic lancet windows have been preserved. The imposing building is characterized on the outside by architectural and decorative elements that reinterpret traditional Renaissance forms, with travertine and reinforced concrete as materials that mark out the spaces and enliven the lines. The interior includes a monumental meeting room with a columned atrium and a wooden coffered ceiling, built between 1560 and 1567 by the Flemish cabinetmaker Antonio Moys from Antwerp, who had found the noble Alvitreti family in the pre-existing monastery building. (c) https://it.wikipedia.org/wiki/Palazzo_Bazzani

Googleによる翻訳•原文を表示

From the imposing chestnut forest, the main path leads to a clearing located on a huge travertine spur, overlooking the forest. On the rock face, you can see, at the top right, the fascinating structure of the Hermitage of San Marco, a natural cavity closed by a church-shaped building with a bell tower and connected to the path by a stone staircase. The wall, in Romanesque style, is made of ashlar stones and has a single-lancet window and five double-lancet windows. In ancient times, the building housed a convent founded by Cistercian monks at the beginning of the 13th century and consists of two overlapping rooms, connected by a staircase resting on the rock. It is a very “poor” construction, which recalls the Benedictine monastic rule. Inside the Hermitage, it is still possible to find traces of the primitive frescoes painted by the monks on the walls and on the vault of the lower room. On the ceiling of the cave, the splendid “tapestry” of maidenhair fern is noteworthy. The Hermitage of San Marco has been restored and brought back to its maximum splendor. It retains its evocative power that attracts tourists and travelers, lovers of history and nature. (c) https://visitascoli.it/esperienze/colle-san-marco-meta-di-eremiti-nel-corso-dei-secoli/

Googleによる翻訳•原文を表示

Who has some more information about this? The tree is protected by a fence and appears to be privately owned. However, I cannot find any further information about this. Who can provide some clarity?

Googleによる翻訳•原文を表示