イルゴリのおすすめウォーキング＆ハイキングルート

モンテ・トゥッタヴィスタの頂上からは、セドリーノ渓谷、バルバギアの周囲の山々、そして海岸沿いのオロセイ湾の広大なパノラマビューを楽しめます。

モンテ・トゥッタヴィスタの頂上は、サルデーニャ東部のチェドリーノ渓谷の上にそびえる、この孤立した石灰岩山の最高地点です。頂上からは、渓谷、バルバジャの周囲の山々、そして海岸のオロセイ湾の広大なパノラマビューが楽しめます。

オロセイの上にあるキリスト像へ、モンテ・トゥッタヴィスタへの美しいハイキング。頂上では、オロセイ湾、海岸線、そして山岳地帯の内陸の息をのむような360度の景色が楽しめます。

There are many opportunities for bouldering sessions here.

A quiet plateau with huge boulders/climbing areas. Little to no shade. Therefore, bring plenty of water!

A lovely spot for a picnic. The path isn't always easy to follow, but it doesn't really matter in the end. You'll find your way up to the cross somehow.

Some of the summit crosses bear the figure of Christ crucified. But the most famous crucifix on the Italian peninsula leads us from here to the Po Valley. It is here, in the "Bassa," that the writer Giovanni Guareschi (1908 to 1968) set his popular short stories about the protagonists "Don Camillo" and "Peppone." But besides these two, there is another main character: Jesus Christ himself speaks from the high altar to the priest Don Camillo—who was brilliantly portrayed by the actor Fernandel (Fernand Joseph Désiré Contandin, 1903 to 1971) in several feature films. The crucifix, originally made solely for the film adaptations, has been preserved and has become a popular tourist attraction in Brescello (Emilia-Romagna). It can be visited virtually as a komoot highlight at the following link =>> https://www.komoot.com/de-de/highlight/6457013

A beautifully designed and monumental cross with the larger-than-life body of the crucified Christ crowns Monte Tuttavista. However, Italy's most famous crucifix is not found on the mountaintops, but in literature: The author Giovanni Guareschi, spiritual father of the protagonists 'Don Camillo' and 'Peppone,' incorporated another main character into his stories – known and loved far beyond the country's borders: the crucified Christ, who speaks to Don Camillo from the high altar. The author himself makes the following comment: "So one must explain: If the priests feel offended by Don Camillo, they can smash a candlestick on my skull for all I care; if the communists feel offended by Peppone, they can break a club on my back; but if someone feels offended by Christ's speeches, there's nothing one can do. Whoever speaks in my stories... is my Christ, that is, the voice of my conscience. My personal business, my cause. And therefore: each for himself, and God for all." (G. Guareschi)