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荒涼とした、手つかずの山岳地帯にある、素晴らしく静かなアスファルト道路

中央にある最も古く、最も重要な歴史的建造物の1つです。このロッジアの歴史は、新しい市庁舎を建設する決定が下された1441年にまでさかのぼります。長年にわたり、建物は繰り返し拡張され、何度かの破壊の後、修復および再建されました。幸いなことに、美しいヴェネツィア様式は常に維持されてきました。

The Loggia del Lionello is one of the most striking buildings in Udine – a Venetian-Gothic gem that combines history, architecture, and urban symbolism. Architecture & Origin Built: From 1448, based on a proposal by Nicolò Savorgnan to create a representative seat for the city council. Namesake: Nicolò Lionello, a goldsmith and city councilor who oversaw construction. Style: Venetian Gothic – with characteristic pointed arches, trifora, and a façade pattern of pink and white stone. Location: Directly on Piazza Libertà, opposite the Clock Tower and the Tempietto di San Giovanni – an ensemble that forms the centerpiece of Udine. Special Features Facade: Ten pointed arches on the ground floor, above which is a central loggia with a balcony and flanking trifora. Decoration: Coat of arms of the city of Udine and reliefs depicting religious scenes such as the Annunciation. Pentafora: On the north side – with finely crafted stone medallions and figures of the Evangelists. 🔥 Destruction & Reconstruction 1511 & 1876: Two devastating fires destroyed large parts of the loggia. Reconstruction: Reconstructed in the 19th century, closely adhering to the original Gothic form. 🕰️ Function & Significance Historically: Seat of the city council and symbol of local self-government.

always beautiful

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The new parish church was built in 1909 according to plans by Don Angelo Noacco, parish priest of Cassacco, architect and author of numerous church projects in Friuli (including the Cathedral of Santo Stefano di Buja), and consecrated in 1938. Built in the Neo-Gothic style on an imposing base, the main façade of which is divided into two flights of stairs leading from the square to the churchyard, it features a striking façade with tower-shaped tabernacles, a porch, and a central rose window. Inside, three naves are divided by archivolt columns of red Verona marble. Thanner's frescoes, removed from the rear wall of the old parish church, were relocated to an arch in the left nave and appropriately restored.

The ancient church, first mentioned in a document from 1190, but with works of art dating from the period of the spread of Christianity in the late 4th century and the early Middle Ages, was restored at the end of the 13th century under the direction of the architect and sculptor John and completed by Giovanni Griglio in the third or fourth decade of the 14th century. The temple was re-consecrated on Pentecost 1337.

The Cathedral of Gemona, like most of the buildings here, was destroyed in the epicenter of the 1976 earthquakes (May 6th with magnitude X MM scale, September 11th VII-VIII MCS scale, September 15th X MCS scale).