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The Citadel, also known as the Sarzana Fortress or Firmafede Fortress, was the first fortification in Sarzana, built in the 13th century. It was owned by the lord Castruccio Castracani, who made numerous significant modifications to its defenses. After its destruction by Florence in 1487, it was rebuilt on the orders of Lorenzo de' Medici. In 1494, the Republic of Genoa, having regained possession of Sarzana, completed work on the Citadel. The fortress is used as a venue for cultural events and exhibitions and also houses the Fortress Museum, an interactive exhibit that traces the history of Sarzana and the Lunigiana region.

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It was built on the area where the parish church of San Basilio once stood, starting in 1204. Construction work ended in 1474 with the completion of the upper part of the façade by Leonardo Riccomanni. Following the completion of the work, in 1735 the statues of Saint Eutychiano in the centre, of Sergius IV on the left and of Nicholas V on the right were placed on the façade. The building, which represents the sum of all the historical-artistic production of Sarzana and the Magra Valley, has been elevated to a minor basilica. It preserves, among other works, the crucifix by Mastro Gugliermo (1138), the first dated example of a painted cross in the history of art.

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The building of the Cathedral of St. Mary of the Assumption, erected on the area occupied by the previous parish church of San Basilio, is consequent to the transfer of the bishop's seat from Luni to Sarzana in 1204. È assai probabile che i lavori siano effettivamente iniziati solo alla fine del secolo XIII. In 1355, the lower part of the façade was completed (as recalled by the inscription engraved on the marble architrave of the portal), while in 1474 Lorenzo Riccomanni da Pietrasanta created the rose window that adorns the upper part. The construction of the bell tower also dates back to the 15th century, while between the end of the 17th century and the beginning of the 18th century, the two side bodies flanking the marble façade were built to open the six internal chapels. Also dating back to the 18th century are the statues placed at the crowning of the building depicting three important exponents of the Lunigiana church: Pope Sergius IV, St. Eutichiano and Nicholas V. The interior with three wide naves divided by octagonal pillars and covered by a valuable wooden coffered ceiling, created in 1670 by Pietro Giambelli from Pisa, preserves important testimonies of art and faith: among them, the Reliquary of the Precious Blood of Christ and the painted Cross by Mastro Guglielmo, a cornerstone of Italian Romanesque painting, signed and dated 1138. (c) https://visitsarzana.it/cathedral-santa-maria-assunta/

To mark the 20th anniversary of the town twinning between Bayreuth and La Spezia, a bronze sculpture by Richard Wagner now adorns La Spezia Square.

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probably the best known of the many well-preserved medieval villages that you come across along the route, which reveals its Byzantine origins both in its name and in its shapes: the term “Filetto”, in fact, derives from the Greek Fulacterion, which means “fortified village”. The town still retains the quadrangular shape typical of the villages of foundation and late ancient camps, with perpendicular streets and central squares. To the oldest part, characterized by narrow alleys such as the Jewish village and a large market square, is added a late Renaissance “addition”, the fascinating Borgo degli Ariberti. The Ariberti family enlarged the village by building a wide central street, a square and a stately building adjacent to the church of Saints Jacopo and Antonio and the Fatebenefratelli Convent. The addition is linked to the village in an elegant way, with suspension bridges and arches that overlook the entrance gates to the town and that connect the main buildings.

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ok

Very interesting history and beautiful statue

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There he sits, waiting for his next idea.

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The Firmafede Fortress (originally called Cittadella) was built in 1249 thanks to the help of the Pisan allies of the city. In the 15th century the city became an important strategic point, Lorenzo the Magnificent decided to transform the village into a military stronghold of the Florentine lordship and to rebuild the fortress. In 1496 the fortress passed to the Banco di San Giorgio and from 1562 to the Republic of Genoa, remaining there until the end of the 18th century, a period in which it underwent several interventions. In the 19th century, with the annexation of the Republic to the Savoy kingdom and with the radical changes in defensive strategies, the fortress was used first as a police barracks and subsequently as a prison until the 1970s.

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The cathedral has a marble reredos (1432) by Riccomani. To the right of the choir, a vial that is said to have contained Christ's blood is kept in a chapel. In the chapel on the left hangs a crucifix, a masterpiece of Romanesque art by Guglielmo de Lucques (1138).

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The Citadel, also called the Sarzana Fortress or Firmafede Fortress, was the first fortress of the city of Sarzana, built in the thirteenth century. After its destruction in 1487 by Florence, it was rebuilt on the orders of Lorenzo de' Medici himself. In 1494, the Republic of Genoa, after regaining possession of Sarzana, completed the work on the Citadel. The fortress is used as a venue for cultural events and exhibitions and also houses the Museum of the Fortresses, an interactive route that follows the history of Sarzana and Lunigiana.

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The castle and the village are one of the most interesting examples of the fusion of civil and military medieval architecture. The oldest part of the structure dates from the mid-fourteenth century, when Lusuolo was an independent feudal kingdom. In 1450 the castle fell into the hands of the Genoese, who partially demolished it. Today, the Castle of Lusuolo houses the Museum of the Emigration of the People of Tuscany.

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Lusuolo is a characteristic village stretching along the crest of a hill overlooking the right bank of the Magra River, halfway between Villafranca and Mulazzo. The castle and the village are one of the most interesting examples of the fusion of civil and military medieval architecture. The oldest part of the structure dates from the mid-fourteenth century, when Lusuolo was an independent feudal kingdom. In 1450 the castle fell into the hands of the Genoese, who partially demolished it. Today, the Castle of Lusuolo houses the Museum of the Emigration of the People of Tuscany. Due to its strategic position, Lusuolo has often been at the center of major conflicts between the powers contesting control of Lunigiana (Florence, Genoa and Milan) leading to its destruction and reconstruction several times.

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The patronage of this church, “SANTA MARIA ASSUNTA” (in German: “Assumption of Mary”), refers to one of the many memorial days or feast days in honor of the Mother of God Mary. It goes back to the feast of her bodily assumption into heaven, which the (Catholic) Church celebrates annually on August 15th. In the Orthodox churches, the feast is called “Dormition of Mary”. In many rural areas, it is customary for the population to collect bundles of herbs on this day and to bless them in the festive service.

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Beautiful "medieval" village.

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Beautiful village with church and walls. Worth a pass

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Ancient church in Tuscan Gothic style dating back to the XII century. Built on the ruins of a pre-existing early Christian basilica. The church is famous for the blood relic of Jesus Christ, collected during the crucifixion. The relic, brought to Luni in 742 and later transferred here, is kept in the Chapel of the Most Precious Blood, to the right of the main altar.

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The city of Bayreuth and La Spezia have been friends for years. La Spezia presented Bayreuth with a Richard Wagner sculpture. Of course there is also one in La Spezia. Why? Because the original idea for the musical beginning of the Ring des Nibelungen arose in La Spezia, and he then conceived the Rheingold prelude.

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Located in the city center, this basilica contains the oldest surviving painted wooden cross. It dates back to 1138. The basilica, known as the co-cathedral, was built between 1204 and 1474

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Built in 1249, destroyed in 1487 by the armies of Lorenzo di Medici, then rebuilt. Conquered by the Republic of Genoa in 1494. Today a center for cultural events. Open daily from 10 a.m. to 1 p.m., closed on Sundays

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