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Chiesa Santa Maria delle Nevi, Girifalco Mother Church of Santa Maria delle Nevi The Mother Church of Santa Maria delle Nevi in Girifalco, in the province of Catanzaro, is the town's most important parish church. Its origins date back to the 16th century, when it was originally dedicated to the Madonna delle Nevi, a title inherited from the previous mother church in the Pioppi Vecchi district. After the devastating earthquake of 1783, the building was rebuilt on the site of the Church of Santa Maria delle Grazie, part of the old Dominican monastery founded by Bishop Lauro in 1548. The reconstruction was entrusted to the architect Ermenegildo Sintes, a pupil of Luigi Vanvitelli. However, the original design was modified and reduced in size during the construction phase. The facade of the church, originally built in the Baroque style, underwent several renovations, especially after the 1905 earthquake, giving it a more modern appearance. It has a large stone portal flanked by two niches and a double access staircase. The secondary entrance, framed by an ashlar portal, is located at the foot of the bell tower, which houses three bells and a clock. The interior of the church is characterized by the color white, a symbol of both the Marian title and the Dominican Order. The nave is decorated with arches with friezes and gilded capitals. On the left side is the Altar of Paradise, with an ancient sculptural group depicting the Ascension of Christ from the Convent of San Antonio of the Reformed. The presbytery is dominated by a large painting of the Madonna delle Nevi, protecting the snow-covered village of Girifalco from above, a work by Domenico Cefaly (1932-2003), a descendant of the painter Andrea Cefaly. Other works of art housed in the church include a 17th-century polychrome statue of Saint Rocco from Montpellier, a painting of the Madonna della Neve by Luciano Ricchetti, and the 17th-century Madonna del Garofano. The Mother Church of Santa Maria delle Nevi represents an important spiritual and cultural center for the community of Girifalco, testifying to centuries of history, art, and religious devotion. Text / Source: visitgirifalco.com / Municipality of Girifalco https://visitgirifalco.com/trip/chiesa-matrice-santa-maria-delle-nevi/

Girifalco lies in the center of the Isthmus of Catanzaro. Girifalco lies in the center of the Isthmus of Catanzaro, the narrowest point of the Italian peninsula, at the foot of Monte Covello (848 m above sea level), a subrange of Monte Serralta in the northern Serre region, at an altitude of 456 m above sea level. As some finds in the Caria district show, there were settlements in the upper reaches of the Alessi stream before Magna Graecia. In the early 17th century, Girifalco was a fief of the Caracciolo family and then belonged to the Ravaschieri family. After a few years, the fief returned to the Caracciolo family thanks to the marriage between Duchess Ravaschieri of Girifalco and a certain Annibale Caracciolo. From them was born Fabrizio Caracciolo, second Duke of Girifalco, the creator of a very prosperous period for the feud during his duchy, which lasted from 1634 to 1683 and consolidated the socioeconomic development of the city with the presence of the university and the feudal institution. Duke Caracciolo had the Reformed Convent built in 1635 and donated it to the Friars Minor, who erected a statue in his gratitude and placed it near the convent itself. Mayor Carlo Pacino commissioned important works such as the first municipal hall around the mid-1600s, the extension of the Church of San Rocco, and a few decades later, in 1663, the monumental Baroque fountain. In the 17th century, the inhabited center expanded more and more, and there were several churches (the ones of San Rocco and the matrix of the Pioppi district being the most important), two important monasteries, the Municipal House, the Ducal Palace (the Duke's residence), and even the city's coat of arms was built. At the end of the 18th century, another earthquake struck Calabria and the town of Girifalco, the one of March 28, 1783. The center was destroyed or severely damaged, as was the Pioppi district, including the mother church (already severely damaged in the 1638 earthquake and subsequently renovated), which would never be rebuilt. Its functions were transferred to the church of the Dominican convent, which thus became the new mother church. Text / Source: Comunicazione Girifalco https://unsic.it/comunicazione/girifalco/

The Village of Girifalco The village of Girifalco lies at the foot of Monte Covello, between the Gulf of Squillace and the Gulf of Sant'Eufemia, and in the heart of the Isthmus of Catanzaro, the narrowest point of the Italian peninsula. Girifalco owes its origins to the destruction of the two older villages of Toco and Caria by the Saracens in 836. The villagers sought refuge on the rock known as the "Pietra dei Monaci" ("Monk's Stone"). Text / Source: turiscalabria.it http://www.turiscalabria.it/website/?lang=de&categoria=/wo/paesi/&view_type=s&id=639&title=.html

Tiriolo is a charming village in Calabria, southern Italy, known as the "place between two seas." It is picturesquely situated on a hill overlooking the Ionian and Tyrrhenian Seas. Tiriolo boasts ancient roots, a rich history, traditional craftsmanship, and a welcoming, authentic atmosphere.

A very pleasant route leads to the gates of the Calabrian Serre crossing the historic Marcellinara gorge and goes up to Caraffa di Catanzaro, a small center of Arbëreshe tradition and, finally, crossing magnificent olive groves, arrives in Girifalco. Here you can admire the so-called "Devil's Fountain", created by Carlo Pacino in the 17th century (it is told in just one night). In Girifalco, a visit to the fabric laboratory of the young Rocco Vitaliano, who also works with broom fibre, is recommended.

Tiriolo is the land of two seas: from the top of the town, from the Castle Park, you can clearly see the boundary of the Calabrian emerged lands that winds between the Ionian and Tyrrhenian seas. A unique emotion! But Tiriolo is also a center rich in history and traditions where some of the best Calabrian artisans live: potters like Corrado Rotundo, weavers like Mirella Leone and luthiers like Tommaso Leone. The Regional Costume Museum and the Antiquarium are very interesting, as well as the magnificent historical centre.

Tiriolo is a charming city in the province of Catanzaro. Here there are noble palaces, churches, the remains of the castle and the Costume Museum.

Church of the Mount of the Dead and of Mercy, Catanzaro Although the date on the facade of the Church of Monte shows the date of 1728, the history of this sacred building, dear to the people of Catanzaro, dates back to the seventeenth century. In the fifteenth century, some Calabrian notables founded the Monte della Misericordia, through which funds were raised to carry out works of charity in the suffrage of the dead. After the capital (the mountain) was collected, a chapel for the souls of purgatory was built. In 1739 the church was consecrated. The central dome of 1769 is decorated with a painting of Saint Philip Neri surrounded by four evangelists. Inside the church, among other things, four paintings by Catanzaro Stadera from 1753 and a Madonna with angels by Giovanni Del Prete from 1642 have been preserved. On the portal a papier-mâché crucifix of the 600. Text / Source: Comune Catanzaro https://www.comune.catanzaro.it/la-citta/