トッリーレの天然記念物・トップ8

トリアノン噴水は、パルマのドゥカーレ公園の魚池の中央にある小島に位置する、バロック様式の記念碑的な噴水です。 歴史: この記念碑的な噴水は、1712年から1719年にかけて、公爵フランチェスコ・ファルネーゼの命によりコローロ宮殿の庭園のために建設されました。彼は建築家であり彫刻家であるジュリアーノ・モッツァーニにプロジェクトを依頼しました。後者は、フランスの水力技師ジャン・バイユールの助けを借りて、1703年にジュール・アルドゥアン＝マンサールによって作られたヴェルサイユのグラン・トリアノン噴水のレプリカを作成しました。 1882年に精神病院の患者によって部分的に損傷を受けた後、噴水は解体され、10体の彫像が売却されました。 数年間倉庫に保管された後、1889年に彫刻家ジョヴァンニ・キエリチによって再組み立てされ、当初はパルマのテアトロ・レイナックの前に設置されました。 1920年、舞台デザイナーのジュゼッペ・カルミニャーニによるドゥカーレ公園の全体的な再編成の際に、噴水は魚池の中央の小島に移されました。 1996年、カリパルマ財団の資金提供により完全に修復されました。 2025年、トリアノン噴水にも影響を与える魚池の改修工事が開始され、工事は2026年7月に完了しました。 説明 広大なヴォリュート（渦巻き装飾）によって劇的に縁取られた噴水は、カッラーラ大理石と緑大理石のインレイが施された3つの高い段からそびえ立ち、その上を滝が流れています。 頂上には大きな貝殻が置かれ、その両側には半ば横たわる2体の大理石像があり、タロ川とパルマ川を寓意的に表しています。さらに外側には、2頭のしゃがんだライオンがいます。 最も低い段には、大理石の仮面彫刻と交互に配置された3つの小さな張り出した水盤があります。 中間段には当初、1882年に噴水の解体後に売却された10体の彫像があり、これらは四季、4人のナイアデス、そして絵画と彫刻の擬人化を表していました。 出典: https://it.wikipedia.org/wiki/Fontana_del_Trianon_(Parma)

パルマにある「三つの宗教の噴水」は、彫刻家ピエトロ・カシェッラによる作品です。 一神教の3つのシンボル、十字架（キリスト教）、ダビデの星（ユダヤ教）、そして三日月（イスラム教）の統合を表しています。

great bike ride if you opt for a flat route

“The Fountain of the Three Religions – explained the First Citizen, Federico Pizzarotti – was recovered by the Municipality, after a long period in which it remained dismantled in the warehouses of the Municipality itself, to be placed, not by chance, in this place where it conveys a message of civilization and brotherhood, in a time in which religions are often used in an instrumental way. It is a symbol of community and inclusion”. The widow of the sculptor Pitro Cascella, the sculptor Cordelia von de Steinen, focused on the meaning of the work. “My husband had conceived the idea of a sculpture dedicated to the Three Religions since the 1990s. Today, more than then, this fountain is current, for the meanings it implies: the basin represents the Mediterranean Sea into which the jets of water from the symbols of the Three Religions pour, each of which has contributed and contributes to its life”. The fountain represents the symbols of the three monotheistic religions: Christianity, represented by a cross; Judaism, represented by the Star of David; the crescent moon representing the Islamic world and Muslims. The choice to place the fountain near the Duc stems from the fact that it is a very popular space in today's increasingly cosmopolitan world. Situated, therefore, in a sort of pedestrian crossroads, it is an expression of the different cultural and religious realities of the world: a symbol, therefore, of social cohesion and intercultural dialogue. The fountain was included in the plan for the redevelopment, recovery and re-functionalization of the spaces outside Duc A and Duc B, which form a green strip between Viale Mentana and the two buildings that house the citizen counters, various offices, and public utility services. This closes the story linked to the fountain, which was commissioned in 2008 by the then Municipal Administration. Initially it should have been placed where the fountain is today, also by Cascella, located in the center of the roundabout of Strada Elevata (intersection of Via Zarotto, Mantova, Via Emilia). This was not the case, as a new one was commissioned, again by Pietro Cascella. The new fountain, at the intersection of Strada Elevata, was inaugurated, shortly after the artist's death, in October 2008. Subsequently, between 2008 and 2009 the idea was to mount the fountain of the Three Religions in the area where the EFSA is located, but the idea was then abandoned. The fountain of the Three Religions was preserved for years, dismantled, in the warehouses of the Municipality in Via Spezia. Hence the intention of the current Administration to recover it, enhancing it and inserting it into a new urban context. SOURCE: https://www.nonsoloeventiparma.it/curiosita-tradizioni-e/curiosita-articchie/parma-fontana-delle-tre-religioni-opera-dello-scultore-pietro-cascella

the Natural Oasis of Parma Morta which takes its name from the now disappeared waters of the stream that flowed into the Enza. The Natural Oasis was established as a nature reserve in 1990 and represents a refuge for numerous animal species that cannot inhabit the surrounding cultivated land. We talked about it here: https://outdoortest.it/le-5-ciclovie-italiane-piu-belle/

Beautiful to look at but difficult to reach. The green gradually overgrows the entire work of art. Pruning would be desirable.

Old trees in the park provide protection in all weather conditions. The ages of the trees inspire confidence. Sit down and enjoy beautiful crowns.

The Fontanili present near Viarolo are among the last examples of springs in the upper Parma plain. Dense patches of vegetation, with some notable examples of Farnia, Black Alder and Poplar, surround the points from which the clear and fresh waters flow, which a little further flow into the Lorno. The banks are covered with patches of Common Reed, Salcerella and Veronica beccabunga, while in the water, together with Common Brasca and Duckweed, uncommon herbs survive, such as Vallisneria spiralis, Samulus Valerandi, Ricci fluitans and dense Greenland. The faunal records include singular species, such as the Panzarolo or Ghiozzetto dei fontanili, a tiny fish that has become very rare, and several dragonflies.