シンダーフォードでの周辺の簡単なハイキングとウォーキング

I took a group of SEND students around the shorter circuit and they loved it. thank you FE for the fun trails

A really good trail - great for keeping teenagers interested too

White Gates a great meeting point of a number of tracks and trails, either continue on the family trail, the sculpture trail or be a bit more adventurous on one of the others! Most of these tracks can be worked in loops of varying distance or can be used to transit to other parts of the forest 👌

Echo was commissioned to commemorate the untimely death of one of the founders of the Forest of Dean Sculpture Trail, Jeremy Rees, also founding director of the Arnolfini, Bristol. The intricate sculpture is sited in a small quarry, replicating the exposed rocks of the quarry wall in fibreglass. Echo was funded by the Arnolfini Collections Trust and the Esmee Fairbairn Foundation. Thanks also to Bombay Sapphire and the Speech House Hotel for their generous sponsorship.

Meander is a steam-bent oak bench designed to be a resting place that invites visitors following the trail to stop, observe, and spend time in the beauty of the forest. Its strong, winding form represents the resilience and solidarity found woven through the landscape, heritage, and people of the Forest of Dean. Veasey joined sculptor and leading steam-bending expert, Charlie Whinney, to collaborate on the fabrication of the piece at Charlie Whinney Studios. The large natural pieces of quarried Forest of Dean sandstone supporting the sculpture have been provided by Birch Hill Quarry. Veasey’s desire to work in harmony with the forest is reflected in her choice of natural materials, with the oak and sandstone reminding of industries within this ancient, working forest.

Gathering’, is an interactive and colourful artwork that encourages physical engagement from visitors who encounter it. Created by artist Julian Wild, the sculpture consists of 12 coloured metal vertical forms grouped together in a clearing to represent natural structures found in the woodland, recalling shoots growing out of the ground. Joined to these structures are several mirror-polished stainless-steel elements that resemble the shape of woodland fungi. Julian worked with local school children at Heart of the Forest School, and included their ideas for incorporating tactile touch points, reflective surfaces and colours into the final piece. Alongside the smooth surfaces of the fungi, texture panels are hidden on some of the sculptures for people to find, which enhances the experience of the artwork for visually impaired visitors.

Cornelia Parker 1988 Locally smelted iron ore has been formed into rings of flames high up in the trees. A poetic work that implies the crowning of the trees in this once royal forest.

Henry Castle 2016 300 million year-old tree fossils sit alongside two cast iron sculptures sited 300 metres apart, representing the distance of the nearest coal seam below ground.