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The magnificent town hall dates back to the 16th century and was built in the Italian Renaissance style. Its most famous feature is the ornate carillon with Gmunden ceramic bells, which rings daily and fills the old town with its melodies.

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Megga great view of the lake and the food is a dream

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Especially the carillon

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The former lower square or lower market, called Rathausplatz, once served as a trading center for salt, grain, lime, and goods of all kinds, and was therefore a center of lively trade and traffic every day.

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Gmunden Town Hall, whose origins date back to 1574, is not only an architectural gem but also an important symbol of the city's history. Its expansion in 1676 gave the building additional charm and timeless character. Of particular note is the loggia, which has housed an impressive carillon made of Meissen porcelain since 1959. This work of art enriches the townscape and demonstrates the local connection to the artistic ceramics so typical of Gmunden. The green-flamed decoration of the carillon blends harmoniously with the historic atmosphere of the town hall and captivates both locals and tourists. The town hall is thus not just an administrative building, but a place where history comes alive and traditions are preserved.

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The Baroque pilgrimage church of Stadl-Paura rises on a hill near the right bank of the Traun River and was built between 1714 and 1724 by Johann Michael Prunner and Francesco Messenta. An earlier chapel dedicated to St. Blaise stood on the same site and was already mentioned in the early Middle Ages. The Trinity Church is considered Johann Michael Prunner's masterpiece. It is a creation of the highest perfection, both architecturally and theologically. Of particular note is that it was planned and constructed as a symbolic building with many allusions to the Holy Trinity. Francesco Borromini was an artistic role model for many architects of the time, including Johann Michael Prunner. Recognizable Borromini influences include the sweeping and receding exterior walls and towers, and the interior floor plan with the semicircular altar niches (in the towers), which respond to the circular central space. And the indirect light that streams in from above and from the sides, illuminating the altarpieces and the small fresco in the lantern. The wall openings behind the altars, the use of indirect light, and the church furnishings are all the work of Francesco Messenta in his role as interior designer.

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Hofstätter family

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A lovely place for children and parents. Offers children lots of fun and variety while parents can enjoy the peace and quiet in a relaxed atmosphere

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