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From the Arconati family to the Busca family, around the mid-1900s the Villa was inherited by Donna Beatrice Crivelli, who is responsible for its preservation today. In 1907, the Villa still had some intact rooms, including the music room, the library, the yellow bedroom, and the reception room. After a series of decorative interventions during the early 1900s, the small portion still inhabited was renovated in the 1970s, until 1989, when all the valuable items still housed within were sold at auction.

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In 1718 Giuseppe Antonio Arconati, nephew of Giuseppe Maria, a man of culture, an admirer of the theatre, and protector of Carlo Goldoni, inherited the family assets.

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Count Luigi Maria Arconati, his nephew and son-in-law, who instead took care of the redevelopment of the village and the construction of the covered stables, giving us a unified space, characterized by balanced proportions and symmetries.

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With Galeazzo, the Borgo also reached its integrated configuration with the Villa, developing from this moment in adherence to it.

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Galeazzo Arconati, cousin of Cardinal Federico Borromeo, invested his assets in the purchase of the Castellazzo property in 1610,

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The golden age of Villa Arconati is intertwined with the lives of several generations of the Arconati family, who for two centuries were the owners and soul of the Castellazzo, previously owned by the Marquis Guido Cusani.

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Among Milan's most beautiful and majestic Villas of Delight, Villa Arconati is a heritage site of great historical, cultural, and architectural value. The Villa—which today, along with its garden, is home to the Augusto Rancilio Foundation—is located in the Groane Park, in the hamlet of Castellazzo di Bollate.

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Villa Arconati (also called Palazzo Arconati), popularly known as the Castellazzo, is one of the historic villas of the Groane Park, located in Bollate, in the Castellazzo di Bollate hamlet which takes its name from it. It is an example of eighteenth-century Lombard baroque and has been declared a national monument. Due to its size and grandiose style, in eighteenth-century guides it was defined as the petite Versailles italienne ("small Italian Versailles").

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