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The Roman Bridge of Salamanca forms part of the Silver Route (Vía de la Plata), which connected Mérida with Astorga. Although its origins are Roman, dating from the 1st century AD, only the fifteen arches closest to the city are from this period; the other eleven underwent several reconstructions as a result of flooding of the Tormes River.

The Cuesta de los Caenes section is part of a very accessible circular route near Cabrerizos, on the outskirts of Salamanca. No shade, ideal for cool days. Suitable for families and children. Beautiful views of Cabrerizos, Salamanca in the distance, and the Tormes Valley. The route passes by the Arroyo de Las Caenes stream, and the Cuesta de los Caenes is one of its most recognizable sections.

Dirt/gravel path, multi-use (hiking, mountain biking, trail running). Easy to follow, suitable for e-bikes, not a busy route.

Here you can walk, cycle and admire steel works of art

great view back over Salamanca

Popular place to stroll and enjoy the tranquil atmosphere and architectural beauty of Salamanca.

The Roman Bridge of Salamanca, also known as Puente Mayor del Tormes, is an ancient bridge that crosses the Tormes River in the city of Salamanca, Spain. This bridge has a rich history and is a testament to Roman and medieval architecture.

The Plaza Mayor of Salamanca, from the 18th century, is one of the most beautiful urban monumental squares in Europe. Construction began in 1729 at the request of the mayor Rodrigo Caballero Llanes. The project was led by the architect Alberto de Churriguera, followed by his nephew Manuel de Lara Churriguera and was completed by Andrés García de Quiñones in 1755. Located in the centre of the city, it forms an irregular quadrilateral with arcades, with three floors on each façade, presided over by the Town Hall. In the Royal Pavilion, the effigy of King Ferdinand III The Saint stands out and the medallions on the spandrels of its arches represent Spanish monarchs. In the south pavilion, or San Martín in the medallions we see illustrious military men or conquerors, while in the Petrineros pavilion the figures in the medallions are cultural figures.