フエンテ・デ・サン・エステバンのおすすめウォーキング＆ハイキングルート

Located between the municipalities of Navarredonda de la Rinconada and Escurial de la Sierra, in the Sierra de Francia-Quilamas region. A protected natural area within the Natura 2000 network, with oak and chestnut forests and wildlife such as the golden eagle and griffon vulture.

The Old Cathedral of Salamanca is much more than a religious building: it is a living testament to the history, architecture, and cultural identity of the city. Here is a complete overview from a historical and artistic perspective. Construction began in the 12th century, following the restoration of the diocese by Alfonso VI and the repopulation of Salamanca. The first to promote it was Bishop Jerónimo de Périgord. It represents the transition between Romanesque and Gothic styles, evident in its pillars and vaults: the former designed for barrel vaults, and the latter featuring Gothic rib vaulting. The Old Cathedral of Salamanca is open to the public and forms part of the monumental complex along with the New Cathedral.

The bell tower of Salamanca Cathedral is one of the most emblematic elements of its architecture. It forms part of the New Cathedral, although it is integrated into the complex that includes the Old Cathedral. Baroque style predominates, although the base is Renaissance, reflecting the transition between the two cathedrals. Height: Approximately 92 meters, making it one of the tallest points in the city.

The Roman Bridge of Salamanca forms part of the Silver Route (Vía de la Plata), which connected Mérida with Astorga. Although its origins are Roman, dating from the 1st century AD, only the fifteen arches closest to the city are from this period; the other eleven underwent several reconstructions as a result of flooding of the Tormes River.

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Incredible buildings in Salamanca

The New Cathedral of Salamanca, dedicated to the Assumption of the Virgin, began construction in 1513, although construction lasted until 1733. Great architects such as Juan and Rodrigo Gil de Hontañón, Juan de Álava, and the Churriguera brothers, among others, worked there. The initial style was late Gothic, and despite the extensive work, this stylistic unity assigned by the Chapter has been maintained. On the exterior, we can see impressive facades with highly elaborate and unique decorative details, such as those on the three doors of the main façade, an interesting iconographic ensemble with reliefs of scenes from the Nativity and the Epiphany, and, above the large central ogee arch, a beautiful Calvary. The Palm Doorway depicts the sculptural group of the Entry of Jesus into Jerusalem. On this façade there are sculpted figures that do not correspond to the period, since we can see, to mention the most well-known, a monster eating ice cream or a curious astronaut (author's licenses in a 1992 restoration to justify the historical moment of its incorporation).

The climb up the narrow steps was a bit nervous but very very nice