タラント・ラッシュトンのおすすめツーリングルート

素敵な古いパーラーで、ビール一杯やコーヒーをどうぞ

2時間15分の良い散歩、素晴らしい景色、非常に平和で、とてもリラックスした散歩で、それほど大変ではありませんでした。基本的に上り坂と下り坂のルートです。私たちは田園地帯を上り、森を下りました（涼しかったです）。

Historic Significance: It is a Grade I Listed Building (the highest level of protection), noted for its special architectural and historic interest. Age: The first record of the bridge dates back to 1334, suggesting its medieval origins, with parts of the current structure likely dating to the 15th century. Construction: It is built of coursed rubble and ashlar stone and features nine semi-circular arches. Widening: The bridge was widened in 1819. The upstream side is the original, medieval part and features triangular cut-waters which extend up to form pedestrian refuges. The downstream side is the later, plainer widening. Inscriptions: There is a reset stone on the east side of the bridge inscribed with the year 1719. Name Origin: The bridge is named Crawford Bridge because it carries the road from Spetisbury to Tarrant Crawford. The nearby area of Spetisbury was historically one of three manors, including Great Crawford.

Single lane beware of on coming vehicles

Interior Details: The interior is known for its high-quality flint work on the tower walls and a range of interesting features: Pulpit: A magnificent 15th-century pulpit is a central feature. Font: A 12th-century font is another medieval survival. Tomb Recess: Against the north wall, there is a canopied tomb recess from the 14th century. For a long time, it was thought to be a rare "Easter Sepulchre," but a skeleton was found inside during the 1860s restoration, suggesting it was a tomb. Organ: The church's organ is a fascinating piece of its history. An 18th-century Walker organ, it was gifted to the church and is said to have been used for choir practice at Westminster Abbey before its installation here. The church, set on a rise at the north-west corner of the village, is part of the "Knowlton Circle Benefice," which also includes nearby parishes like Cranborne and Wimborne St Giles, both of which are included on this cycle route.

All Saints Church is the parish church for the village of Gussage All Saints in Dorset. It's a Grade I listed building with a long and layered architectural history, primarily reflecting the Early English and Decorated Gothic styles. Medieval Origins: The church's main body, including the nave and chancel, dates largely to the early 14th century. The walls are constructed from a mix of local flint, rubble, and various types of stone, including Shaftesbury Sandstone and Heathstone. The Tower: The impressive west tower was built in several stages. Its lower part dates to the 14th century, while the upper stages and embattled parapet were added in the 15th century. The tower is particularly distinctive for its use of alternating bands of flint and ashlar stone. Victorian Restoration: Like many English churches, All Saints underwent a significant Victorian restoration. In 1864, architect Ewan Christian carried out extensive work. A notable change from this period was the moving of the original medieval chancel arch to the north wall, where it now frames the organ. A new chancel arch was then built by the architect John Hicks, who was a mentor to the famous novelist Thomas Hardy.

St. Giles Church is known for its numerous monuments, particularly those dedicated to the Earls of Shaftesbury. Sir Anthony Ashley's Tomb: A historic highlight is the spectacular gilded tomb of Sir Anthony Ashley, dating to 1628. The tomb features intricate classical columns and symbolism. A curious detail is a sphere at his feet, which has been the subject of various theories, including that it represents a globe, a jewel, or even a cabbage. Ashley-Cooper Family Memorials: The church houses several other memorials to the Ashley-Cooper family, including tombs for the 1st, 3rd, 4th, 7th, and 9th Earls. The 1st Earl's memorial includes a bust by Rysbrack, and the 3rd Earl's is a grand wall monument by Scheemakers. Crusader Effigy: There is a much-restored 14th-century effigy of a crusading knight, believed to be Sir John de Plecy. Comper's Work: The interior is almost entirely a result of Sir Ninian Comper's restoration. This includes the highly decorated screen separating the nave and chancel, new stained glass windows, and the gilded tester over the altar.

19th-Century Gothic Revival: In the 19th century, the church was remodeled twice. The most significant work was in 1887, a Gothic Revival-style memorial to the 8th Earl of Shaftesbury. The 1908 Fire and Comper's Restoration: A catastrophic fire in 1908 destroyed most of the church's interior, leaving only the walls standing. The 9th Earl of Shaftesbury commissioned the renowned Gothic Revival architect Sir Ninian Comper to restore and rebuild the church. Comper's work, completed between 1908 and 1910, is considered one of his masterpieces. He kept the 18th-century external walls but completely redesigned the interior, adding a new north aisle and a lady chapel. His intricate work, including stained glass, a wooden screen, and numerous sculptures, makes the church a "treasure-house of Comper work," as described by Sir John Betjeman.