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Construction of the Agen canal bridge was almost halted permanently due to competition from waterways and the railway. Its history is, of course, closely linked to that of the entire Canal Lateral. On August 25, 1839, the foundation stone was laid by the Duke of Orléans, eldest son of Louis-Philippe, and Princess Helene of Mecklenburg, his wife. In 1841, work was halted. The bridge would be used for a time by farmers' carts to avoid a detour via the old stone bridge. On May 5, 1846, a law mandated the resumption of work, and the bridge was completed in 1847. But that wasn't the end of the worries. This bridge could perhaps have become a railway bridge: In 1850, those who exclusively supported the railway raised the question of filling in the canal cut (in its entirety) to lay the tracks. It wasn't until March 1856 that the entire Garonne lateral canal was completed. This bridge itself is 539 meters long, 12.48 meters wide, 2.70 meters deep, and has 23 arches. The waterway is 8.80 meters wide, which prevents crossings. Holding basins were built on either side of the aqueduct. The civil engineers Jean-Baptiste de Baudre and Jean Gratien de Job were responsible for its construction. It is made entirely of freestone from Quercy.

Saint-Caprais Cathedral in Agen features several architectural peculiarities: its Romanesque apse is extended by a single-nave Gothic nave. Replacing an earlier wooden campanile, the current bell tower was built in 1835 at the initiative of Bishop Jean-Aimé de Levezou de Vezins and is unusual in that it consists of three Gothic stylistic elements (lancet Gothic, radiant Gothic, and flamboyant Gothic) curiously presented in reverse chronological order. A corbel composed according to this principle can still be seen in a corner of the north transept of Agen Cathedral. This corbel, in itself, is a small monument containing two large formerets and a long-span pointed arch. The paintings on the walls and ceilings depict the history of the arrival of Christianity in the region. A central role is given to the first martyrs of Agen. Other paintings are presented in series: the Evangelists, the Apostles, the patriarchs of the Jewish people (Abraham, Noah, etc.), the great kings of Israel, etc. The cathedral is much shorter than one might expect, judging by the size of the choir; indeed, political and financial difficulties greatly influenced the cathedral's final form. The painted decoration was entrusted to Jean-Louis Bézard, a painter from Toulouse who won the Prix de Rome in 1829. He completed the decoration of the chapel of the Hospice Saint-Jacques d'Agen, now the departmental hotel, in 1845, which has since disappeared. At the same time, he began painting the Chapel of the Virgin Mary in the cathedral. He continued decorating the cathedral until 1869. The choice of themes was made by the cathedral clergy and was the subject of debate between the painter and Abbé Deyche. For the decoration of the apse, the choice was made to depict the martyrdom of the saints of Agen. For the rest of the decoration, the paintings blend local themes and Marian iconography, the great figures of the Bible, the Old Testament, and the New Testament. Jean-Louis Bézard drew inspiration from the decoration of the Sicilian churches of Palermo and Montereale for the medallions of the arches of the transept crossing. The altar decoration: an altar cross and six candlesticks are listed as historical monuments. On the counter-façade, two statues: on the right, Saint Caprais, and on the left, Saint Stephen, by Louis Rochet. The main organ, built by organ builder Jean-Baptiste Stoltz, was featured at the 1855 World's Fair in Paris. According to legend, it was donated by Empress Eugenie in 1858 to Agen Cathedral, which until then had no instrument. It is the largest instrument in the Lot-et-Garonne department, with 45 stops spread over three manuals and a pedalboard. It has mechanical action. It is listed as a historic monument. The choir organ was built by organ builder Jules Magen in 1885 (15 stops over two manuals/pedalboard). It has been listed as a historic monument. Concert pianist and organist Jérôme Chabert has been its organist since 2002. He founded the Heures d'Orgue, an international festival held every summer in July and August on the cathedral's two organs.

Saint-Caprais Cathedral was built in the 12th century on the site of an episcopal basilica constructed in the 6th century, sacked by the Normans in 853 and then restored. Saint-Caprais Church is mentioned, along with Saint-Étienne Cathedral, in the will of Raymond, Lord of Toulouse, Marquis of Gothia, Count of Rouergue, Gévaudan, and Narbonne, who died in 961.[6] It was originally a collegiate church. Sacked again in December 1561 during the Wars of Religion, Saint-Caprais Collegiate Church became a fodder store in 1791 before being reopened in 1796 and becoming the official cathedral of Agen, following the destruction of the old Saint-Étienne Cathedral during the Revolution. It was elevated to the rank of cathedral in 1802. At the request of the Bishop of Agen, Jean-Aimé de Levezou de Vezins, the architect Gustave Bourrières[7] rebuilt the south façade, the bell tower, and the interior floors between 1838 and 1847.

In Gallo-Roman times, this was the forum and forecourt of the first Saint-Étienne Cathedral. It is still the heart of the city. Every Saturday morning, the market welcomes shoppers. This market offers only organic produce. This square intersects Boulevard de la République, a vast thoroughfare that was designed and invented in the 19th century by a certain Eugène Haussmann. He was not yet a baron; he was sub-prefect of Nérac when he brought a breath of fresh air to the departmental metropolis by opening boulevards: Boulevard Carnot and Boulevard de la République. Fortunately, the Place des laitiers was not affected by the transformations. In the center of the square stands a statue depicting a pilgrim walking the Camino de Santiago. A reminder of this medieval context. Pilgrims stayed in two towns: Moissac and Agen. Needless to say, the rivalry between these two cities was fierce... They fought over what were then called "the marchers of piety." This square is magnificent. It is lined with houses surmounted by corners also called ambans. These covered galleries allowed merchants in the Middle Ages to display their wares without fear of damage from the sun or rain. Today, many cafes and ice cream parlors have set up their tables there. And since cars are not allowed to park, it's a perfect place to safely set up café terraces. If you're curious, go admire the painted ceiling of the Dairymen's Brasserie. The decor is Rococo, it's true, the structure is reminiscent of a Parisian bistro (which is hardly surprising when you know the owner's background), but when you look up at the ceiling, you discover a painted canvas mounted on it. This painting is a copy of the one that adorned the ceiling of the couple's bedroom in the Hôtel de Gonzague in Mantua. It's original, surprising, and exotic. Another interesting place: the Quesseveur bookstore. This shop is next to the brasserie. It's certainly one of the oldest businesses in the city, since the first printing press in Agen opened there in 1634. A bookstore was later added. By the way, do you know why this square is called Place des laitiers? The explanation is quite simple: it was on this square that every morning, local farmers arrived to sell milk from their farms to the bourgeoisie of Agen. On this square was the forecourt of Saint-Étienne Cathedral, the first cathedral in Agen. Falling into ruins, it was demolished. It was replaced in 1883 by a Baltard-style market hall. In 1970, the covered market was built in its place... A long concrete spire rises into the sky, below the covered market, above 5 floors of parking. It's really not pretty, but it has one advantage. An exterior elevator allows you to reach the upper floors of the parking lot. By taking it, you discover the beautiful city of Agen

Incredible lodge and restaurant, great quality and very friendly atmosphere.

Located in a former lock-keeper's house on the banks of the Canal des Deux Mers, the Auberge de la Poule à Vélo offers a warm and authentic atmosphere. Certified Accueil Vélo (Cycling Welcome), this friendly establishment offers comfortable rooms, a unique caravan, and local cuisine. Perfect for a peaceful cycling break, as a couple or with family, in the heart of the Gascon way of life.

Located in the heart of the Lot-et-Garonne hills, Preyssas is a charming village typical of the Albret region. Surrounded by orchards and rolling countryside, it reveals peaceful lanes, a beautiful stone church, and retains a true rural authenticity. The town hall square is an ideal spot for a relaxing break on a terrace.

[In Advent] "we hear in the Gospel the beginning of the ministry of John the Baptist. He appears in the desert and calls people to conversion so that they may prepare for the coming of the Lord. His call reminds us that Advent is not only a time of waiting, but also of interior preparation. "Prepare the way of the Lord, make straight his paths" (Luke 3:4). John's message challenges us to examine our lives. What "rough paths" and "crooked roads" are there in our hearts? Where have we perhaps distanced ourselves from God or lost sight of our fellow human beings? John invites us to remove these obstacles and reorient our lives. But his call has not only a personal dimension, but also a social one: the way of the Lord is a way of justice, peace and reconciliation. When we pave the way of the Lord, we bring light into the darkness of the world and hope into the hearts of people." (Text: Michael Inden, Diocesan President of the KAB in the Archdiocese of Cologne)