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The church suffered little damage during the Hundred Years' War and the Wars of Religion. From the end of the 18th century, maintenance work was undertaken mainly inside the church. In 1822, the reconstruction of the bell tower framework began, followed in 1852 by the restoration of the west facade. A further restoration took place around 1860, and the sacristy was enlarged by the construction of a semicircular annex extending the Romanesque apse. Beginning in 1880, a roof repair campaign began, and a new belfry was installed in the bell tower. From 1890 to 1900, the cemetery surrounding the church was moved to the "Fief des Rentes," and the former burial site was transformed into a public square. Starting in 1926, the choir roof was replaced and the bell tower was made watertight. In 1971, the work program included the renovation of the exterior walls, the demolition of the false apse and the sacristy that concealed the apse of the south transept. In 1990, the main door was replaced with oak leaves, the stones were repointed, and the collapsed arch keystone was reinstalled. In the 2000s, the municipality repaired the mechanism of the two belfry bells, and the building was illuminated and maintenance work was carried out.

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The Church of Our Lady of Corme-Écluse, the seat of a former Benedictine priory of the Abbey of the Ladies of Saintes, was donated around 1104 by Ramnulfus Focaudi (Bishop of Saintes between 1083 and 1106) to the Royal Abbey of Saint-Jean-d'Angély "so that he might always enjoy it and possess it in perpetuity." This abbey was thus responsible for the reconstruction of the sanctuary in the mid-12th century in the Romanesque style. A plaque affixed to the south wall of the nave contains a few historical snippets, still legible: 1200, the Benedictines completed the construction and adorned the church with an oak statue of the Blessed Virgin; 1327, the Abbot of Saint-Jean-d'Angely and an envoy of Pope John XXII prayed before the venerated image; In 1628, a pilgrimage was established to venerate the statue; In 1733, the statue was mutilated. The desecrator was punished. The church's plan is a slightly asymmetrical Latin cross (the north arm of the transept is longer than the south arm). The nave consists of two bays covered by pointed barrel vaults. It is lit by three symbolic windows rebuilt in the 13th century. A transverse arch separates the nave from the transept, whose crossing, under the bell tower, is covered by a cupola on squinches. The south arm of the transept opens onto an apse with a semi-dome vault. However, the north arm, rebuilt in the 17th century in the Romanesque style, is slightly longer than the south arm, and is designed on a rectangular plan without an apse. This arm has a portal with columns and toric rollers. After passing the triumphal arch, the choir begins with a straight bay covered with a semi-circular barrel vault and ends with a semi-circular vaulted arch.

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Upon arriving in Corme-Écluse, it's only natural to stop at the church square, the heart of the Cormillon village. On this square, facing the town hall, stands the Church of Notre-Dame. Walk around it to admire the architectural details characteristic of the 12th-century Saintonge Romanesque style. The church was the seat of a former Benedictine priory of the Abbey of the Ladies of Saintes. The sculpted decoration of the Abbey of the Ladies certainly inspired that of the church of Corme-Écluse. This was often the case; mother abbeys were taken as examples by the priories that depended on them in terms of architecture and sculpture. In some cases, it is even assumed that the sponsors, artists, or craftsmen were the same people or at least from the same circle, sometimes descendants. Since the 13th century, the monument has been the destination of numerous pilgrimages that continue to this day. The pilgrimage takes place on the third Sunday of July in the convent gardens, followed by a procession to the Church of Our Lady.

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The Abbaye-aux-Dames is built around the church of Sainte-Marie, built in the twelfth century. Famous for its facade and its characteristic "pinecone" bell tower, it is one of the emblematic monuments of Saintonge's Romanesque art. After several wars and fires, the place was restored in the 1970s and 1980s and is now a hotel. When you walk through the long corridors you feel like you have been transported back to the time when the abbey was still alive.

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The Saint-Pierre Cathedral is located in the heart of the old town on the left bank of the Charente. According to tradition, the founding of this episcopal see goes back to Saint Eutrope. The construction of the first Christian building on the site of the current cathedral could not be dated with any precision. It probably dates back to the 6th century.

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Of the first church built in the 12th century, only the apse, the transept, the Gothic chapels and the bell tower remain, which is one of the best preserved and most elegant in Saintonge. It rises on three square floors supported by a powerful stump, and each face is decorated with a slender arcade with five arches supported by columns with capitals. The upper floor is pierced on each side by three elegant semi-circular twin bays. Of the church, entrusted to the Chaise-Dieu Abbey in 1084 by Robert de Pons, only the eastern part remains, the nave having disappeared during the Wars of Religion (16th century). Inside, note the dome divided into eight compartments as well as very beautiful capitals in the original sanctuary, decorated with acanthus leaves and palmettes. An ossuary crypt, from the end of the 12th or beginning of the 13th century, located under the chapel, extends the northern arm of the transept. It is accessible by a small staircase. It is covered with a primitive ribbed cross. A stone bench goes around the crypt about 50 centimeters from the current floor. Open on request at the town hall.

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A former Benedictine abbey created in 1047, Abbaye-aux-Dames was the first women's monastery in Saintonge. These powerful women were nuns, that is to say, nuns living cloistered and having taken a vow of piety, occupying their lives in contemplation. They carried the crosier, in other words the pastoral staff of a bishop, and minted coins. Richly endowed, the abbey carried its influence well beyond the borders of the county and over time it became one of the most powerful women's monasteries in all of South-West France. With up to a hundred nuns at its peak, it was entrusted with the mission of instructing young girls, often from the French nobility, and counted among its most illustrious residents the future Marquise de Montespan, favorite of Louis XIV. The Abbaye-aux-Dames is structured around the Sainte-Marie church, built in the 12th century, famous for its facade and its characteristic “pine cone” bell tower. The premises were restored during the 1970s and 1980s and now house a Cité de la musique in which the Saintes Festival dedicated to classical music takes place each year. You can also stay in a wing of the building, the cells having been converted into hotel rooms, and leave your bike in a secure room.

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This rather atypical-looking church is the result of several reconstruction campaigns, which spanned nearly eight centuries from the 12th to the beginning of the 20th century. The characteristic element lies mainly in its line of domes, built in 1901, and left visible. Built in cement, they give the building a false oriental air.

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