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There were once two parishes in Maintenon: "St. Nicholas," a parish serving the castle and its dependent houses. The church of St. Nicholas, adjoining the castle, now deconsecrated, still stands on Maintenon's main square. "St. Peter," a parish covered by the surveys in this table, is a current parish in the commune. In addition, there was a priory, founded in 1220 under the name of the Priory of Our Lady of Maintenon. The church of Saint-Pierre in Maintenon is mentioned at the beginning of the 12th century, but nothing appears to have survived from this period. Indeed, the Count of Montgomery, a Huguenot, passed through Maintenon in 1567 and ruined the church. In 1692, Madame de Maintenon rebuilt the church of Saint-Pierre, which had fallen into ruin and had become too small for a population that had grown from 700 to 1,100 with the arrival of labor for the construction of the aqueduct. However, there is no evidence that the new church was built on the site of the old one. The foundation stone of the new church of Saint-Pierre was laid on June 4, 1692, by the Vicar General. The blessing took place on July 17, 1694. Bishop Godet des Marais subsequently consecrated the building. In 1736, the large "Henriette" bell was blessed by Mr. Jean François DEREYROLES, parish priest, in the presence of "the Most High and Most Powerful Lord, Monsignor Jean Paul François de NOAILLES, Count of AYEN" and by "the Most High and Most Powerful Lady, Madame Henriette Louise DAGUESSEAU de FRESNE, Countess of AYEN." From 1805 to 1813, Duke Jean-Paul de NOAILLES and his wife refurnished and decorated the Saint-Pierre church (the woodwork, credenzas, and pews were redone). The church's embellishment continued until 1899. The church's architecture is unremarkable. However, it is listed as one of the few Baroque churches in the department. The choir is flanked on one side by a sacristy and on the other by a room called "the vault." This is because, until the 1990s, it contained the bodies of some members of the Noailles family, who were buried there in stacked boxes that are still visible, but disused. The organ, installed in the gallery, is no longer in use. It had been partially dismantled for a renovation that proved too expensive, and some of the pipes were stolen. During the 1939-1945 war, almost all of the old stained-glass windows were destroyed and replaced with modern ones, the work of a master glassmaker from the region: Victor Cot-Dezan.

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Saint-Martin Church. This extremely modest church consists of a four-bay nave extended by a three-sided apse to the east and a sacristy to the north. It is built of rubble block, with sandstone buttresses and shell limestone surrounds. Although its history is poorly documented, it is likely that an earlier 16th-century church was enlarged and modified in the 18th and early 19th centuries. Externally, its elevation is punctuated by a short timber-framed bell tower erected in 1889-1890 above the western bay of the nave. The western façade is late: it features an 18th-century arched doorway, with the first level lit by three unequal pointed-arch windows, an addition made in 1820. On the south façade, a stone cornice runs under the roof, while a drip edge stringcourse is located one meter above the ground. Two of the apse windows were blocked during the installation of the great altarpiece. In 1890, when the spire was moved, the first bay of the nave underwent some modifications: the western wall was lined internally with another wall in which three large arches were cut; in the space thus delimited, two chapels were created on the ground floor, on either side of the entrance door, and a small gallery on the first level, while a staircase provided access to the bell tower. The interior of the church was furnished and decorated in the late 18th century. and during the Restoration: the Visitation altarpiece (1815-1820) dates from this period. Some statues, including four wooden evangelists, came from the old tabernacle. Statues of Saint Martin and Saint James were placed in the side niches of the altarpiece. The Sauvegarde de l'Art français (French Art Protection Agency) contributed €30,490 to the roofing work on the building in 2002.

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According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

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Rambouillet Castle A former medieval fortress, Rambouillet Castle was gradually transformed into a pleasure residence by its illustrious owners and adorned with elegant decorations.

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An excellent place to take a break and admire the magnificent castle and its park. Whether you are roaming along the Véloscénie or simply strolling through the forest of the estate, you will be seduced by this idyllic view.

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Very nice and ideal for a picnic.

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A nice place to take a break.

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Bench, greenery, river and shade for a bite to eat or a break.

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