エラニー＝シュル＝エプテでののおすすめウォーキング＆ハイキングルート

Nice, beautiful view

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We know of Saints Gervais and Protais that they were Christian martyrs in the 2nd century in Milan. At the time, the Roman Empire forced all its subjects to worship the emperor, which was unacceptable to Christians. If they refused, they were crucified or sent to the arena to be devoured by lions between gladiatorial fights. Thus, Saint Ambrose, bishop of Milan, found them, in 386, buried side by side. This great bishop affirmed that they had been martyrs by fidelity to their baptism. He even added "They are of a prodigious size, such as one was in ancient times." Their cult reached Gaul where a large number of churches were dedicated to them.

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Unfortunately we were here without a donkey

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At the bottom of the rue de Vienne, just at the beginning of the Rue des Argilières, there is an old wash house listed as an Historic Monuments since 1927. It is reached down the street or following the circuit of the fortifications of the sixteenth century. century of the castle. Its wooden pillars follow the curve of the Epte and its slate-covered timberwork today offers a pleasant stop over the water, just at the crossroads of the main shopping streets of the city center. Vestige of the daily life of yesteryear, it reminds us how much the river was important in the life of the city, participating in its economic development but also in its social life.

The parish church of Saint-Gervais Saint-Protais was consecrated in 1119 by Pope Calixtus 11. This Romanesque church saw its nave ravaged by fire in 1123. It was rebuilt in 1160. Thanks to funding from Queen Blanche of Castile, the people of Gisors built a Gothic choir, consecrated in 1249. It was built according to the Chartres model, common at the time in Ile-de-France, with a three-level elevation: large arcades, triforium and high windows pierced with oculi. Thanks to funding from charitable brotherhoods and trade corporations, the church underwent multiple transformations from the end of the 15th century with the addition of radiating chapels and an ambulatory at choir level. Entrusted to the Grappins, a family of architects from Vexin, the work continued in the 15th century with the reconstruction of the nave and the chapels of the side aisles in flamboyant Gothic style, then of the façade decorated with Renaissance motifs.

The Trois Pierres dolmen is an ancient megalithic monument dating from the late Neolithic period (3400-2000 BC). It served as a collective burial ground for the inhabitants of the Seine-Oise-Marne culture. It consists of a short vestibule and a narrow room, separated by a vertical slab pierced by a circular hole, called the "soul hole," through which the bodies passed. The dolmen is surrounded by a peaceful and bucolic landscape, where you can also admire the menhir of the Bois de la Garenne, another prehistoric stone, located about 200 meters away.

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The Dolmen of the Three Stones is an ancient megalithic monument dating from the end of the Neolithic period (3400-2000 BC). It served as a collective burial place for the inhabitants of the Seine-Oise-Marne culture. It consists of a short vestibule and a narrow room, separated by a vertical slab pierced with a circular hole, called the "soul hole", through which the bodies were passed. The dolmen is surrounded by a peaceful and bucolic landscape, where you can also admire the Menhir du Bois de la Garenne, another prehistoric stone, located about 200 meters away.

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A transient lies in the Church beside which is the text: 'Whoever you are you will be struck down by death. Stay there, take care, cry. I am what you will be, a pile of ashes. I was what you are. You will be what I am, now do what you wish you had done when you die. Beg, pray for me. '

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