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サン・セバスチャンに捧げられたバイニョレの教区教会は、シャルトル教区のサン・フロランタン・ド・ボンヌヴァルにあるベネディクト会修道院に従属する単純な修道院でした。この修道院の設立は870年より前とされています。修道士たちはシャルトルのヴィダムの保護を受けていました。ロマネスク様式からは、3つのベイの身廊、前堂、半円形の扇形ヴォールト天井の後陣（11～12世紀）が残っています。この部分の建物は、小さな石灰岩の小石積みの壁を維持しています。13世紀にこの修道院が受けた多くの寄付により、非常に繁栄し、新しい工事のきっかけとなったと考えられます。この時代に、特に高く、精巧に積まれた石材で作られ、印象的な隅の控え壁で支えられた力強い鐘楼が建てられたようです。おそらく以前の基礎の上に再建されたのでしょう。15世紀には、身廊の北側に3つのベイからなる側廊が追加されました。外側で3つのペディメントを形成するこの側廊は、精巧に積まれた石材で鐘楼と調和しています。また15世紀には、側廊の窓と同じスタイルで、鐘楼の東壁に炎のような装飾と2つの柱を持つ大きな窓が開けられました。19世紀の工事は、ロマネスク様式の聖歌隊席の空間に3面の平面を持つ後陣を建設することでした。側廊の3番目のベイと鐘楼の基部の間の仕切り壁は当時取り壊され、側廊の眺望が開けました。これは1852年7月25日の県測量士の計画によって証明されています。側廊と前堂のリブヴォールト「聖歌隊席と低い身廊のヴォールトは石灰岩で作られ、対角線と石のリブで装飾されています」に言及するこの報告書は、当時身廊が「オーク材の羽目板」で覆われていたことを明記しています。現在は漆喰で覆われたレンガ造りのヴォールト天井になっています。ファサードのペディメント壁には、当時再建された古い屋根の傾斜の痕跡も残っています。教会のファサードは特に目を引きます。扉の上部には中央に4列の円柱装飾があります。扉はペディメント壁を支える2つの力強い控え壁に囲まれ、その間には後期デザインと思われるバラ窓が配置されています。鐘楼の南側と西側のファサードの石灰岩仕上げ材の修理、聖歌隊席と北側礼拝堂の木材構造と屋根の改修のため、フランス芸術保護財団は1994年にこの保護されていない教会に10万フランの支援を授与しました。

It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

Building built to commemorate the battles of Loigny-la-Bataille on December 2, 1870. Nine thousand men fell in combat. The church was designed by the architect Lucien Douillard. The apse and the ossuary crypt, square in plan, are connected by two spiral staircases. The walls of the apse and the vault are decorated with paintings of historical and religious motifs, and covered with commemorative marble plaques bearing the names of the 700 recognized soldiers. The crypt preserves the tombs of Generals de Sonis and de Charette, as well as the bones of killed soldiers.

The Henri Ey Hospital Center is a departmental public health establishment, specialized in psychiatry, which provides a mission of prevention and reception, care, aftercare and reintegration in mental health in Eure-et-Loir. It provides care in adult, child and adolescent psychiatry, as well as a medico-social activity in the field of geriatrics and psychological and mental disabilities.

The Saint-André church burned down in the middle of the 19th century. The priest, forced to celebrate mass in a barn, opened a subscription in 1864, the church was rebuilt in 1865, according to the original plan, plus a transept. Bell tower-porch.

Saint-Pierre-et-Saint-Paul Church is a Romanesque building that underwent some modifications following the partial destruction of the village during the war of 1870. The oriented nave ends with a semi-circular apse and adjoins, to the north, a side aisle. Access is located in the southwest part of the nave, protected by a long canopy. A sacristy was built outside the work and communicates directly, to the south, with the apse. The aisle opens onto the nave by two large arcades. At the entrance to the choir, stand two columns with primitive capitals intended to receive an arch that was probably never built. The nave and the choir are covered with a paneled vault. Two pointed arch bays light the nave to the south. The windows of the apse and the aisle are semicircular. The west gable also includes a semicircular bay. On this side of the church, the arch of the old portal, now walled up, is still visible. An oculus has been pierced in its upper part. The roof is made of slate, as is the bell tower, erected on the western part of the roof. Inside, the decor is especially remarkable for the wall paintings from the 12th and 13th centuries that were discovered in 1939, behind the altarpiece of the sanctuary, by Father Moriceau, the parish priest. Some of them are illegible, others have been perfectly identified. These are the scenes depicting the Descent from the Cross, the Holy Women at the Tomb, the Baptism of Christ, and the Meal at Herod's. Like those in the church of Lutz-en-Dunois and the chapel of Yron in Cloyes, these wall paintings are characteristic of the artistic creation of the upper Loir Valley in the Romanesque period. For the restoration of the plaster and the renovation of the south facade of the church and the porch, the Sauvegarde de l’Art français granted a subsidy of 35,000 F in 1998.

After an unrealized project by the architect Plisson in 1861, church built in 1866, based on plans by Ricard, diocesan architect; with reuse of the previous 13th century building (bell tower)

Bonneval, nicknamed the little Venice of Beauce