The simple-looking interior of the church is enriched by some precious pieces. This includes the mighty baptismal font carved from a granite hive in cup form with octagonal Cuppa. The literal size of this stone shaped the popular comparison: "So grot as de Süseler Dööp!" The Flemish brass chandelier hanging over the central aisle, which was founded in 1650, is one of them. This chandelier has an upper ornamental wreath with an eagle-riding Zeus. A gem of the church is the small Romanesque portal made of plaster stucco. On two slender round pillars rests a round arch decorated with colorful leaves and connects the choir room with the sacristy.
The simply bricked altar table, which is covered with a gothic granite slab of an inner-church old grave, is adorned by two precious brass chandeliers. Behind it stands the towering cross, whose late-thirteenth-century, almost life-size corpus was probably intended for a triumphal cross before the chorus. The face and posture of the crucified bear the impression of overcome, no longer pressing pain.
The Süseler church bells, an important people and cultural property, were repeatedly sacrificed to the fatherland to obtain in the world wars vile metal for the weaponsmiths. Only a small bell survived the wars, and in the fifties, two magnificent bells were purchased to complete the bells.
The organ of the Süseler church from 1858, by the renowned Danish organ building workshop Marcussen, has been repeatedly brought over, repaired and technically rebuilt and is therefore still a well-sounding instrument. The stained-glass windows certainly contribute to the devout mood in the house of God, usually arranged in rows, they are a feast for the eyes of all church visitors. These, made up of several hundred individual stained-glass panes, joined together by masters, show motifs from the biblical story. Through stylish renovations she is still preserved today.
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