The church of Sant'Antonio abate di Mezzomonte is expressly remembered for the first time in 1458.
The current appearance of the sacred building and the erection of the bell tower (the third, after those of only tables and with three trusses), are due to the works of the 1950s
Inside, the altarpiece depicting the Madonna with Child between Saints Anthony the Abbot and Anthony of Padua, created in 1788 by the Tritesimal painter Giovanni Battista Tosolini, was inserted in the 19th century in an elegant late 16th century structure, assignable to one Sansovinesco sculptor close to the artistic work of Tommaso da Lugano and coming from a suppressed Venetian church.
Pietro Feltrin from Pordenone is responsible for the small eighteenth-century canvas having as its subject the Madonna of the Rosary with the Child and the Saints Floriano and Pietro Martire surrounded by the fifteen joyful mysteries; The altar of the Madonna, in marble and painted plaster, can be dated to the second half of the 19th century, in whose niche the statue of the Madonna of Fatima is preserved, while the wooden crucifix, the work of the sculptor Francesco Guerrini from Ceneda, dates back to 1899.
The terrible wound inflicted on the town a few weeks after the end of the Second World War - on 7 March 1945 Mezzomonte was set on fire by the Nazi-fascists - is recalled in the three canvases for the ceiling of the church, the work of the painter
Treviso Giuseppe Modolo, made around 1949-1950