The church is the result of a reconstruction carried out in the first twenty years of the twentieth century following the collapse of the previous church, caused by a fire that occurred in 1792.The main facade of the church is salient, made of red brick and white stone finishes. The façade is divided into three sectors by massive pillars concluded by decorative stone elements. The entrance is anticipated by a small pronaos surmounted by a mullioned window with round arches, resting on a high string course frame that divides the central sector into two levels and which continues to the sides as a crowning of the slopes. The crowning of the highest central sector is embellished with an elegant edging in white stone worked with strong overhangs and hanging arches that create plastic vigor and lively chiaroscuro effects. The facade is flanked by the high bell tower whose structure dates back to the eighteenth century. Also covered in red brick in the early decades of the twentieth century, it has a square plan and a crowning with arches on the top. The interior has three naves with a high domed transept and a semicircular apse, the latter houses the main altar decorated with polychrome marbles. The environment is also marked by plastered pillars and side chapels. In the right arm of the transept there is a seventeenth-century wooden altar from the disappeared church of Santa Maria della Fonte. The altar is a masterpiece of cabinet making created by the local artist Palmiero Grasso. Noteworthy are also the polychrome wooden statue of the Madonna and Child and the stained glass windows.