サン・フェレオル・トレンテ・パ周辺のアトラクション＆必見スポット - トップ20

道端にある水場は非常にありがたいです

川にほとんど押し込まれた小さな村...

One of the almost obligatory attractions of Nyons, with a beautiful view.

There is also a shop here selling olives and olive products, also open on Thursdays.

Beautiful old bridge🥰

A unique heritage site in France, this site reveals two old oil mills from the 18th and 19th centuries, as well as an 18th-century soap factory. You must descend a stone staircase to reach, in the basement of an old building, a museum space where you will discover the traditional gestures of the miller and the secrets of oil production, from harvesting to pressing and bottling. The building houses the starting point of an old underground...

Nyonsにある、いわゆるローマ橋は、Eygues川に架かっており、1399年から1400年の間に建設されました。1409年にVaisonの司教によって開通式が行われました。主な建設責任者は、Romans出身の木工職人Guillaume de Paysと、Saint-Robert de Cornillon出身の石工Jean Felissonの二人です。建設自体は比較的迅速でしたが、資金調達には数十年を要しました。「橋の建設事業」はすでに1341年に設立されていました。1361年にThibaut de Noyxに最初の契約が与えられましたが、彼が完成を見ることはなかったようです。14世紀末の時点では、Eygues川はまだ渡し船で渡っていました。 その単一のアーチはフランスで最も重要なものの一つで、開口部は40.50メートル、高さは19メートルあります。この橋は、Jean Felissonが1405年頃に建設したCastellane（Alpes-de-Haute-Provence）のPont du Rocや、15世紀初頭のものと思われるMollans-sur-Ouvèze（Drôme）の橋と比較することができます。 1925年から歴史的建造物に指定されており、フランスで（Ceretの橋に次いで）2番目に純粋な様式の橋です。

It was Father François who initiated the construction of the upper part of the monument, and the architect Adrien Boisson who designed the pedestal. It is composed of two pyramidal walls arranged diagonally and forming three floors. The first floor (the lower one) has blind arches, but the two upper floors have Neo-Gothic arcades. At the intersection of the two walls is a central shaft supporting the pedestal of the Virgin. The pedestal is very richly decorated: small columns, rose windows, trefoil arches, and small towers. Statues are placed at the edges of the different floors: 1st floor: the Saints: Saint Joseph, Saint John, Saint Bernard, and Saint Vincent; 2nd floor: the Saints: Saint Anne, Saint Elizabeth, Saint Madeleine, and Saint Theresa. On the third floor, angels have been sculpted. The architect Boisson thus intended to symbolize the prayer that springs from the earth to heaven, then is transmitted by the saints, men and women, and finally by the angels to the Virgin Mary. The statue of the Virgin Mary at the summit is 3.50 m high. It is said that she watches over the serenity and tranquility of the city. Once the construction of the pedestal was completed, the building was inaugurated on May 3, 1863 (six months after its purchase) by the Bishop of Valence, in the presence of Father Gabriel of the Abbey of Notre-Dame d'Aiguebelle, forty priests, and 15,000 faithful. The first mass at the Notre-Dame de Bon Secours chapel was held on August 14, 1864, but its consecration took place on the Feast of the Assumption on August 15, 1864. It was on that day, in the presence of a jubilant crowd, that the statue of the Virgin, the one currently inside the chapel, was placed on the altar and blessed by Father Gabriel of Aiguebelle Abbey. Inside the chapel, on the south side, is a small gilded wooden altar dating from the late 17th century. It is surmounted by the statue of the Virgin, which was placed there on August 15, 1864. Two wooden staircases, on either side of the altar, lead to the gallery, whose three tiers of seats are arranged in an amphitheater around the tower. The altar, steps, altarpiece, and tabernacle are listed as historical heritage by the Ministry of Culture, under the reference PM26000450. Numerous paintings adorn the walls, most of them the work of the painter Léon Alègre, originally from Bagnols-sur-Cèze (Gard). These paintings were created between 1867 and 1869. The paintings depict: along the east and west staircases: the Flight into Egypt and the Adoration of the Magi; on the faces of the vaulted arches: to the south, the Presentation of Mary in the Temple and Our Lady of Good Help; to the west: the Assumption and the Sorrowful Mother; to the north: the Holy Family and the Visitation; to the east: the Annunciation and the Marriage of the Virgin; On the edges of the vaulted arches, four portraits appear: to the east: Saint Mark and Saint Matthew; to the west: Saint John and Saint Luke; above the entrance door: between Saint Stephen and Saint Francis of Assisi, the Coronation of the Virgin.