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Its history: It is often linked to the memory of Father Antoine (founder of Antoinism), who used to come here to pray. It's a small, cool haven nestled under the trees. The atmosphere: It exudes a calm and somewhat mysterious atmosphere, typical of local Walloon legends.

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The Source des Amoureux is a small, natural spring. It's a simple "mouth" in the rock where cool, clear water wells up, feeding a tributary stream that flows alongside the path. Ideal for hikers in the valley between Seraing and Flémalle, it offers a peaceful retreat with its romantic name and lush green surroundings. A few meters from the spring, you'll notice the spectacle of two "hugging" trees.

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A friend of George Grard, Charles Leplae, like him, appreciated the depiction of female nudes. He regularly imbued them with reserved, pensive, and introspective poses. True to this style and the artist's taste for allegories, this grave-looking sculpture embodies both a young girl and the young woman. Kneeling on the banks of the Deer Pond, in a bucolic setting, it is certainly the most delicate work in the collection. To be brought to the Sart Tilman estate, the original 3.5-meter-high work, installed at the National Bank of Belgium, was reduced to life-size scale and then placed slightly back in its current green setting, into which it blends perfectly, both in color and in its restrained poetry.

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very beautiful paths for a walk or a run

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Charles Leplae Leplae's art is entirely focused on the human figure, especially women. When he represents her naked, he transcends this very nakedness to elevate her to the rank of symbol. The young girl, frozen in bronze, is more than her model. The chaste nudity, the seriousness of the expression, the modest gesture give the representation a universal dimension. This allegory of one of the eras of women could not find a more important location, near a pond rich in the seeds of life. The original 3.5 m high work, designed in 1951, is installed in the architectural complex of the National Bank of Belgium in Brussels. Sculpting techniques make it possible to reproduce and reduce works. Life-size, installed in a wooded setting, the kneeling girl commands respect for the place in an almost authoritative manner and invites an inner dialogue.

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Here you can sit on a bench with a view of the pond.

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Here you can relax on a bench with a view of the pond and the water features

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Nice outing

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