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Historic gate that leads into Monza Park; on the left is the historic entrance to the racetrack.

It is a complex of buildings enclosed by a wall, the historic block of which extends in a U-shape along the east-west axis. Despite neglect and numerous changes in use, which have led to extensive renovations, the interior still retains highly valuable spaces, with stuccoed and frescoed rooms depicting architectural motifs and mythological episodes, vaulted ceilings, generally pavilion-shaped masonry, or false reed vaults, or wooden coffered ceilings.

The Curva Parabolica (now officially Curva Alboreto) is the final, increasing-radius corner of the Autodromo Nazionale Monza, famous for being taken at full acceleration before the finishing straight. Built in 1955, it is an iconic high-speed circuit, named after the late racing driver Michele Alboreto since 2021.

It is perhaps the most famous and popular of the bridges in Monza Park and takes its name from the iron chains that connect the solid parapets. Featuring a rectangular base and a length of 15 meters, it spans two segmental arches with masonry abutments on two inclined planes converging in the middle.

Monza Gate is one of the historic entrances to Monza Park. It is a distinctive stone arch that marks the boundary between the urban area and the green space. Next to the arch is a yellow building, typical of the park's service buildings. The area is known for its proximity to the Monza National Racetrack.

Villa Mirabello houses a library, with books and magazines that can be read not only in the internal Hall of Columns, but also outdoors, in the adjacent garden.

Villa Mirabello, a wonderful example of 17th-century architecture and residence, was built in the mid-17th century by the Durini family, who had purchased the fiefdom of Monza in 1648. The Durinis built a beautiful villa, with large halls for parties and receptions, named "Mirabello." Its U-shaped structure, open to the river landscape and featuring a courtyard, is of great structural significance, as it marks the transition from the typology of the walled country palace, typical of the 15th and 16th centuries, to the new concept of the palace-villa opening onto a scenic garden or park.