モラーレの絶景の山頂・トップ10

Cima di Déiva (707 m) is an inconspicuous peak that rises between the main branch of the Erro Valley and the valley of the Rio del Giovo, its tributary. It is not the highest peak in this buttress, but it gives its name to the small mountain subgroup to which it belongs. The northern portion of the subgroup, near Sassello, is home to the Déiva State Forest.

Mount Beigua is a mountain range in the Ligurian Apennines, 1,287 meters above sea level, located on the Ligurian-Po watershed. It is the highest peak of the so-called "Beigua group," which includes nearby Mount Grosso, Mount Ermetta, and Bric Veciri.

Beautiful, pleasant and relaxing excursion even in the fog.

unmissable panorama

The concept chosen by the architect for the "Croce del Beigua" does not conform to the usual pattern followed by many summit crosses. Rather than having a classic base as its foundation, it "grows" out of the roof of the chapel standing there, rising towards the sky in a massive form. The choice of material used for the construction – exposed concrete – clearly indicates its affiliation with the era of so-called "Brutalism." This is a modern architectural style popular in the post-World War II era, which deliberately avoids cladding or painted concrete. Another striking feature is that one of the two crossbeams of the cross is fitted with a railing.

if you want, with a half hour walk from where you leave the car (Faiallo road), you can reach the top of Dente, in my opinion one of the most panoramic points in all of Liguria. If it is clear you can enjoy the entire Alpine arc to the North and - often - the coast and the view of Corsica to the South

the Beigua cross is a church with a huge cross visible from far away

The concept chosen by the architect for the "Croce del Beigua" does not conform to the usual pattern followed by many summit crosses. Rather than having a classic base as its foundation, it "grows" out of the roof of the chapel standing there, rising towards the sky in a massive form. The choice of material used for the construction – exposed concrete – clearly indicates its affiliation with the era of so-called "Brutalism." This is a modern architectural style that was popular in the post-World War II era and deliberately avoids cladding or painted concrete. Another striking feature is that one of the cross's two crossbeams is fitted with a railing.