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The parish church of Sant'Antonio Abate in Quarona (VC), consecrated in 1667, is a seventeenth-century building with a single nave and a five-light pronaos on Corso P. Rolandi

The Parish Church of San Bernardo in Prato Sesia is an ancient basilica-style building with three naves, located in the Novara area.

The historic center of Varallo, the heart of Valsesia, is a charming medieval village with 18th-century influences, famous for the UNESCO-listed Sacro Monte, the "Gaudenziana Wall" in the church of Santa Maria delle Grazie, and the Palazzo dei Musei.

The historic center of Varallo, the heart of Valsesia, is a Renaissance and Baroque jewel, known for the Sacro Monte (a UNESCO World Heritage Site) and its elegant streets.

She's NOT a girl with a broom! She's Blessed Panacea, patron saint of Valsesia, originally from Quarona and martyred on the hills outside the town, still buried in Ghemme in the great Antonellian chapel. And that's not a broom, but a shepherdess' crook.

It is said that the sister suffered from werewolves and therefore lived practically locked up in this house

Romagnano Sesia, a town of about 3,500 inhabitants in the province of Novara, is the production site of the DOCG Ghemme wine and boasts several monuments and places of interest. Examples are the Cantina dei Santi, what remains of the ancient Benedictine abbey of San Silano, and the Torre del Pretorio.

The church originally had two naves: a central one and a lateral one. The lateral one on the north side was demolished in 1681. “The interior is divided into three bays by three pointed arches in masonry, resting on rectangular pillars. The arches support a ceiling made of large bricks on which the roof rests directly. The apse is large (the diameter is more than 6 meters) and is covered by a five-part vault. Against the wall, the masonry altar is decorated with stucco in late sixteenth-century style, dating back to 1680. Under the plaster, fragments of the ancient frescoes re-emerge, covered with whitewash carried out during an eighteenth-century restoration; the most notable are the one on the southern wall depicting Saint Peter, from the Romanesque period, and, near the side entrance, a fresco ruined in several places that portrays Saint Francis of Assisi while receiving the stigmata. The Saint is portrayed kneeling with his arms open and slightly raised, with his gaze turned towards Christ, who appeared in the form of a Cherub; further down we can see the figure of a little friar who witnessed the event, with his hands raised to protect his eyes from the brightness of the apparition. Behind the figure of the Saint is depicted the little church of Porziuncola. The expressiveness of the faces, the attention to the folds of the Saint's habit and the architecture of the church in the background date this fresco back to a period before the end of the fifteenth century.” From the municipality website: comune.carpignanosesia. No. It