周辺のスポット/アトラクション・トップ20

Tivoli's Rocca Pia, an imposing Renaissance fortress located in the city center, was built by Pope Pius II Piccolomini starting in 1461 to defend the city and control the population. The structure is characterized by four large circular towers of varying heights, connected by high crenellated walls. Over the course of its history, the Rocca has alternated defensive functions with those of a papal barracks and, for a long time, a prison until 1960. It is currently a tourist attraction located near Piazza Garibaldi and the Bleso amphitheater. WEBSITE: https://visittivoli.it/sito-turistico/rocca-pia/

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Declared a World Heritage Site by UNESCO in 2001, the villa, with its impressive concentration of fountains, nymphaeums, grottos, water features and the water organ, is a masterpiece of Italian garden art.

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In Piazza Garibaldi, the heart and arrival point of the Via Tiburtina in the city, the Rocca Pia castle dominates, symbol of the city of Tivoli.

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From here the climb to Monte Morra begins.

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"The Marcellina Gold Mine was strongly desired by the architect and photographer Romolo Belvedere and created by the Venezuelan artist Luis Gomez de Teran, known for his socially conscious works and who worked on the Marcellina Gold Mine using as the basis for the photographic reportage "The Faces of Stone", created by Belvedere himself in the mid-80s of the last century. The work is a permanent installation and has a dual value: it enhances a decidedly ugly and impactful industrial archeology site (occupies a large part of the mountain ridge) and becomes witness to a collective effort made of work and sacrifices, in which men and women, farmers, miners and shepherds were silent witnesses of an era now over, in which women like Teodora Fornari they were miners, mothers, wives and spent their whole lives in difficult working conditions (https://bussoladiario.com/2021/02/la-miniera-doro-di-marcellina.html)

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The Rocca Pia of Tivoli dates back to the fifteenth century. It boasts four splendid towers, of different sizes: the tallest is over 36 meters in height.

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The Gregorian Bridge is made up of a single arch of 20 meters of light, it was built in place of the ancient waterfall, after the catastrophic flood of the Aniene (1826) and inaugurated by Pope Gregory XVI on 24 May 1835. It was destroyed in 1944 by retreating German troops and immediately rebuilt. Below it the flow of water has recently been reactivated, thus recalling the ancient image of the waterfalls, which can be enjoyed both from Piazza Rivarola itself, and even better, from the Castrovetere district facing it (Piazza delle Mole). From the same bridge, the stupendous scenery of the Roman acropolis with the two temples of Vesta and Sibilla can be appreciated. (http://www.tivolitouring.com/elenco/ponte-gregoriano)

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The Ponte Gregoriano connects the center of Tivoli to the Villa Gregoriana. This bridge offers a magnificent panorama of the Acropolis with the Tempio di Vesta and the Tempio della Sibilla.

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here you will find a beautiful mural of an old lady

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Nice bridge but even better is the view of it from all possible perspectives with the many waterfalls

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Declared a UNESCO World Heritage Site in 2001, it represents a masterpiece of the Italian garden with an impressive concentration of fountains, nymphaeums, caves, water features and hydraulic music. Cardinal Ippolito II d’Este, after the disappointments due to the lack of papal election, revived the splendor of the courts of Ferrara, Rome and Fointanebleau here and revived the magnificence of Villa Adriana. Governor of Tivoli since 1550, he immediately toyed with the idea of creating a garden on the slope of the joyful valley, but only after 1560 the architectural and iconological program of the Villa was clarified, conceived by the painter-archaeologist-architect Pirro Ligorio and built by the architect of court Alberto Galvani. The palace was decorated by the protagonists of late Roman Mannerism. The Villa was almost completed when Ippolito d’Este died in 1572. Further interventions in the seventeenth century followed a period of decline, until Cardinal Gustav Adolf von Hohenlohe revived its splendor by also hosting the musician Ferenc Liszt (1811-1886). Acquired by the Italian state, between the 1920s and 1930s the Villa was restored and opened to the public.

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At the end of our tour we are like Hercules facing his eleventh effort: taking the golden apples in the garden of the Hesperides, facing the many-headed dragon. We make the last stop here, in front of the fountain of dragons which, ironically, do not spit hot flames but clear jets of water.

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Among all the wonders that the garden of the Villa has offered to our eyes we have forgotten that even hearing, in this case, has its part: the fountain of the Organ, thanks to a series of complex mechanisms with hydraulic action made by the French Claudio Venard, raises his delicate song that blends with the natural music of the waterfalls.

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The ovate, this large oval-shaped basin, is ideally the kingdom of nature, the point where the extraordinary richness of the Lazio countryside is celebrated. The fountain, in fact, represents the Tiburtini Mountains from which the Aniene originates, the main tributary of the Tiber as well as the main source of water for the entire garden.

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beautiful mural placed on a turret at the entrance to the road to Monte morra

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... my tour starts here ...

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Villa d'Este is a masterpiece of 16th century garden and water art. A terraced garden filled with the noise of the many fountains and fountains. Enchanting. If there is a need for a suitable soundtrack: Franz Liszt set to music his visit to the Villa d'Este, i.a. in the play "Les Jeux d'eau à la Villa d'Este", which aptly translates the varied water features into music. Here's a shot with Claudio Arrau: https://youtu.be/4HjkoW7tdcU

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