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Improperly named Palazzo Roderio, after the Genoese architect who designed it. The building, constructed between the 15th and 16th centuries, features the typical structure of Genoese palaces, with a central courtyard bordered by a portico around which the various rooms unfold. The courtyard displays several coats of arms and several fragments of ancient columns from the Roman colony of Luni. The municipal council chamber, located on the first floor and at the top of the imposing marble staircase, houses large paintings depicting some of the illustrious men who shaped Sarzana's history, including Nicholas V.

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It was built on the area where the parish church of San Basilio once stood, starting in 1204. Construction work ended in 1474 with the completion of the upper part of the façade by Leonardo Riccomanni. Following the completion of the work, in 1735 the statues of Saint Eutychiano in the centre, of Sergius IV on the left and of Nicholas V on the right were placed on the façade. The building, which represents the sum of all the historical-artistic production of Sarzana and the Magra Valley, has been elevated to a minor basilica. It preserves, among other works, the crucifix by Mastro Gugliermo (1138), the first dated example of a painted cross in the history of art.

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The building of the Cathedral of St. Mary of the Assumption, erected on the area occupied by the previous parish church of San Basilio, is consequent to the transfer of the bishop's seat from Luni to Sarzana in 1204. È assai probabile che i lavori siano effettivamente iniziati solo alla fine del secolo XIII. In 1355, the lower part of the façade was completed (as recalled by the inscription engraved on the marble architrave of the portal), while in 1474 Lorenzo Riccomanni da Pietrasanta created the rose window that adorns the upper part. The construction of the bell tower also dates back to the 15th century, while between the end of the 17th century and the beginning of the 18th century, the two side bodies flanking the marble façade were built to open the six internal chapels. Also dating back to the 18th century are the statues placed at the crowning of the building depicting three important exponents of the Lunigiana church: Pope Sergius IV, St. Eutichiano and Nicholas V. The interior with three wide naves divided by octagonal pillars and covered by a valuable wooden coffered ceiling, created in 1670 by Pietro Giambelli from Pisa, preserves important testimonies of art and faith: among them, the Reliquary of the Precious Blood of Christ and the painted Cross by Mastro Guglielmo, a cornerstone of Italian Romanesque painting, signed and dated 1138. (c) https://visitsarzana.it/cathedral-santa-maria-assunta/

The Lunense Canal is an artificial system, built in the last century, which begins at the intake on the Magra River in Stadano di Aulla and from there, after a short tunnel section, flows open-air for 23 kilometers through the Magra Valley, connected to a distribution network consisting of 150 kilometers of various types of canals. (c) https://rivistanatura.com/il-canale-lunense-compie-100-anni/

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The Testaforte Tower was built in 1513 by the mayor of Sarzana, Luchino Stella. The Carpena family later built their residence, Villa Carpena, on the tower. The tower is connected to the Citadel by a footbridge that crosses Porta Romana, the southern entrance to the city, surmounted by a large statue of the Madonna and the coat of arms of Genoa.

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Piazza Giacomo Matteotti, also known as “piazza della Calcandola”, is the heart of the historic center of Sarzana. The square has an irregular shape that is the result of a long-term adaptation of humans to settle in this special area. This area between the Calcandola River and the Burgus Sarzane (11th century) was originally an extensive alluvial terrain formed by rocks and sediments that often underwent flooding from the Calcandola River. In this square, on the morning of October 6, 1306, before mass, Dante Alighieri received a blank power of attorney from Franceschino Malaspina, Marquis of Mulazzo. Along the perimeter of the square you will find the town hall and many commercial activities such as shops, bars and restaurants. In the middle of the square there is a fountain that you can sit next to.

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The cathedral has a marble reredos (1432) by Riccomani. To the right of the choir, a vial that is said to have contained Christ's blood is kept in a chapel. In the chapel on the left hangs a crucifix, a masterpiece of Romanesque art by Guglielmo de Lucques (1138).

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The patronage of this church, “SANTA MARIA ASSUNTA” (in German: “Assumption of Mary”), refers to one of the many memorial days or feast days in honor of the Mother of God Mary. It goes back to the feast of her bodily assumption into heaven, which the (Catholic) Church celebrates annually on August 15th. In the Orthodox churches, the feast is called “Dormition of Mary”. In many rural areas, it is customary for the population to collect bundles of herbs on this day and to bless them in the festive service.

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