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Scolacium Archaeological Park The Scolacium Archaeological Park and the adjacent Antiquarium (on the estate of Baron Mazza, with an adjacent olive mill museum) were built in 1982 in the village of Roccelletta di Borgia (Czech Republic) on a vast area of olive trees. The area includes not only the remains of the 11th-century Norman basilica dedicated to Santa Maria della Roccella, but also the remains of the ancient Roman colony of Scolacium, built in 120 BC on the ruins of the Greek colony of Scylletium. Excavations, which began in 1965, did not reveal any wall structures of the Greek city, but the unearthed abundant pottery and coin material dating back to the 6th century BC suggests a topographical overlap between the two cities. The material discovered is on display in the Antiquarium. The remains of Scolacium's city walls are much more significant: facing the sea is the Roman Forum, a large rectangular area paved with square tiles and surrounded by colonnades (Caesareum, Curia, and a thermal court), which also houses the remains of a small temple, a monumental fountain, and a courthouse. A large number of statues and portraits dating from between the first and third centuries AD come from this area. On the hill behind the Forum is the theater, with a capacity of 3,500 spectators, built between the first and second centuries AD. From the theater scene come several portrait heads from the Julio-Claudian and Flavian periods, as well as two large white marble statues of Togati. Recently, a second-century AD amphitheater, three thermal complexes, a necropolis, and an aqueduct have been identified above the hill. Text / Source: Ministry of Tourism, Territorial Marketing and Mobility https://calabriastraordinaria.it/luoghi/parco-archeologico-di-scolacium-borgia

A sanctuary, the destination of an annual pilgrimage linked to a legend. The Madonna is said to have appeared in a dream to a bandit, commanding him to build a chapel dedicated to her and to convert to a better life. The basilica was later built around this chapel.

Maradona murals often combine religious style (such as icons and images of saints) with pop culture.

Diego Maradona's murals in Naples and Calabria create a kind of symbolic bridge between the two parts of southern Italy, where the figure is not only an icon of football, but also of the identity, rebellion and pride of the people of the south.

Murals in Italy have a long and fascinating history, dating back to antiquity, but their contemporary form – as street art – flourished in the 1980s and 1990s. Today, Italy is one of the most important places on the map of European street art.

The Sanctuary of the Madonna di Porto in Gimigliano, Calabria, is one of the most important Marian shrines in the region and a central site of popular piety. The origins of the shrine date back to 1626, when Calabria was struck by a plague epidemic and earthquakes. During this time, the painter Marcangione began a painting of the Madonna di Costantinopoli. According to legend, the image was miraculously completed overnight, which was interpreted as a divine sign. This image, considered "acheropit" (not made by human hands), became a center of veneration. Later, the Madonna appeared in a dream to a local brigand named Pietro Gatto. After his conversion, he built a small chapel, which formed the foundation stone of the present shrine.

Tiriolo is a charming village in Calabria, southern Italy, known as the "place between two seas." It is picturesquely situated on a hill overlooking the Ionian and Tyrrhenian Seas. Tiriolo boasts ancient roots, a rich history, traditional craftsmanship, and a welcoming, authentic atmosphere.

Free charging, pump and tools for repairing breakdowns. Free charging and self-repair station for bicycles and e-bikes. This column is part of the project Ciclovia dei Parchi della Calabria cicloviaparchicalabria.it/it This station is part of the project Calabria Parks Cycle Network cicloviaparchicalabria.it/en