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コスタ・キアッポーナはピアチェンツァ県にある場所で、特にガッツォーラ市の領土計画とインフラの文脈で言及されています。

ヴァル・ルレッタのピアチェンツァ県アガッツァーノ市にあるイル・カステッロ・ディ・ボッファローラは、中世に起源を持つ要塞で、1412年にはアルチェッリ家の所有物として言及されており、戦略的な要衝として知られています。現在の建物は、5つの塔と印象的な天守閣が特徴で、1726年に再建されました。

An interesting defensive fortification built entirely of brick, the original core of which dates back to the 11th century. It is a trapezoidal structure with four cylindrical towers; the surrounding moat is now dry. The interior is also noteworthy, with its beautiful decorated coffered ceilings and composite vaults. It is worth a visit if it is open.

4km climb from the valley floor, most of the climb is rideable with a few slightly harder sections

Arriving from the antennas of Pigazzano or from the tougher climb from Rezzanello, Costa Chiappona offers a beautiful view and a moment to catch your breath.

The Castle was first mentioned in a document from 1001. On this occasion, Bishop Sigifredo granted the Benedictine monks of San Savino (Piacenza) some land, including the area of the Castle. The building has a trapezoidal plan and has four circular towers. The first of the four towers dates back to around the year 1000, which only later became four. The Castle was often the scene of clashes and battles. In 1212, the Guelphs of Piacenza took refuge there, threatened by the Ghibellines of Visconti, but they were worsted because they were defeated later in two battles. In the fourteenth century, the Castle was inhabited by Gabriello Boccapiccina, then it passed to the Chiapponi family. When the Chiapponi family died out, in the eighteenth century they were replaced by the Scotti di San Giorgio, who profoundly adapted the building, transforming it into a stately home. At the beginning of the twentieth century, the Castle belonged for a short period to the Lombardi of Genoa; it was then sold to Eng. Giuseppe Manfredi, who had it restored by Prof. Camillo Guidotti. From 1930 to 1987, the building was owned by the Ursuline Mothers of Piacenza. Today, the Castle is used by the current owner as a venue for private events.

The Castle of Rezzanello appears mentioned for the first time in a document from 1001. On this occasion Bishop Sigifredo granted some land to the Benedictine monks of San Savino, including the Castle area. The castle has a trapezoidal plan with four towers that stand out from the corners and a large internal courtyard. The turrets have a round base, are elegantly slender and crowned by a projection supported by arches and covered by a conical roof. The same type of arches in double order creates a decorative motif in the attic. To adapt it to housing needs, numerous large windows were opened, regularly distributed on all the facades. Located in the center of a valley, it is surrounded by a splendid seven-hectare park with centuries-old plants, a fountain and streams. At the beginning of the twentieth century, the castle was transformed into a stately home. The new owner, Eng. Giuseppe Manfredi entrusted the intervention to the architect Camillo Guidotti who conducted it according to the late-romantic criteria then in vogue, altering the original design.

The Castle of Rezzanello appears mentioned for the first time in a document from 1001. On this occasion Bishop Sigifredo granted some land to the Benedictine monks of San Savino, including the Castle area. The castle has a trapezoidal plan with four towers that stand out from the corners and a large internal courtyard. The turrets have a round base, are elegantly slender and crowned by a projection supported by arches and covered by a conical roof. The same type of arches in double order creates a decorative motif in the attic. To adapt it to housing needs, numerous large windows were opened, regularly distributed on all the facades. Located in the center of a valley, it is surrounded by a splendid seven-hectare park with centuries-old plants, a fountain and streams. At the beginning of the twentieth century, the castle was transformed into a stately home. The new owner, Eng. Giuseppe Manfredi entrusted the intervention to the architect Camillo Guidotti who conducted it according to the late-romantic criteria then in vogue, altering the original design.