アジャリア自治共和国周辺のアトラクション＆必見スポット - トップ20

Beautiful figures on the promenade

Anyone strolling along the waterfront in Batumi will at some point encounter two steel figures moving slowly – toward each other, through each other, and away from each other. Their names are Ali and Nino. And although they consist of nothing but horizontally layered steel ribs, they tell one of the most touching stories this city has to offer. The sculpture was created in 2010 by the Georgian artists Tamar Kvesitadze and Paata Sanaia and is based on the novel of the same name by Kurban Said. It is about an impossible love: He, a Muslim Azeri from Baku. She, a Georgian Christian from Tbilisi. Between them: history, religion, war. And yet also closeness, tenderness – and the attempt to build bridges. That is precisely what this sculpture does: It brings the two together – and then separates them again, in an endless mechanical cycle. The spectacle lasts around ten minutes, but in motion, it feels like an entire film. A visit at dusk is particularly impressive: the sculpture then glows in changing colors, while behind it the Black Sea slowly disappears into the darkness.

In the middle of Batumi's waterfront promenade, a structure stretches into the sky, oscillating somewhere between a space radar, a DNA double helix, and an LED art object: the Alphabet Tower. Anyone approaching the 130-meter-high steel giant must first orient themselves – and perhaps ask themselves: Is this art, science, or an oversized jumble of letters? The tower is indeed a homage to the Georgian alphabet – one of the oldest and most independent writing systems in the world. The 33 illuminated letters spiral around the tower's skeleton, reminiscent of a DNA helix. A clear message: language and identity are inextricably linked. The fact that this message is presented here in neon and glass is typical of Batumi – a place that likes to make everything a bit more colorful, garish, and spectacular. At the top of the tower is a glass sphere with an observation deck and – at least temporarily – a café. The elevator takes visitors comfortably to the top, but service is not guaranteed. Those who dare to climb (and are lucky with the opening times) will be rewarded with a magnificent panoramic view of the Black Sea coast, the promenade and the playful urban chaos of the city.

It stands in the heart of Batumi: the Neptune Fountain. Shining golden, surrounded by mermaids and dolphins, the Roman sea god poses above Teatralnaya Square as if he had been imported straight from Bologna – which isn't so far-fetched, as the Georgian version is a direct homage to the Italian original. Only locals know that a monument to the Georgian writer Chavchavadze once stood here – and not everyone is happy with the maritime replacement. But tourists, walkers, and photographers love the setting: by day, in front of the theater facade and prefabricated building, in the evening, in the warm glow of the lanterns, when the square becomes a stage. Convenient: The fountain is located in the heart of the city, easily accessible on foot, and embedded in a pleasant pedestrian area. Surrounding it are cafés, park benches, plane trees – and with a bit of luck, a street musician providing musical accompaniment to the scenery. Ideal as a stopover on a city stroll. If you like, come back in the evening – that’s when Neptune sparkles particularly beautifully.

Anyone entering Europe Square finds themselves in the middle of a postcard scene. Playful facades, a striking clock tower, water features, and, in the center, a stone column with a golden Medea high above – this is Batumi in miniature: dramatic, meticulously detailed, and somehow proud. This is the city's tourist heart. The square is surrounded by cafés, hotels, and historic buildings, including the fairytale Astronomical Tower with its green brick spires. During the day, it's bustling with people, children play in the fountain, tour groups gather beneath the statue, and in the evening, everything lights up in bright colors – a bit of Las Vegas, a bit of Belle Époque. Those seeking peace and quiet should come in the early morning. Those wanting to people-watch should stay until the evening. If you're hungry, take a walk around the square – everything from fast food to delicatessen is available.

You don't necessarily come to Batumi to admire bronze. And yet, you'll want to pause here: Two slender figures, almost as if fashioned from wire, lean toward each other. Between them: no words, just a shared heart made of hands. The sculpture "First Love" stands directly on the pebble beach—where the wooden plank path out of the city ends and the Black Sea begins. It's a simple yet powerful image. Especially backlit—when the sun sets exactly where the fingers touch—the motif becomes a true postcard image. No pomp, no pathos, no bronze glory. Simply two people truly seeing each other for the first time. No Instagram filters.

What looks like a Greek set piece on a world tour is in fact part of a charmingly playful urban ensemble that cares little about originality but much about impact. The white columns rise in two semi-arches, between which stand figures like those from a plaster figurine catalog – some heroic, some athletic, some holding an airplane. The entire scene is so clean that you briefly wonder if it is simply taken down and re-erected at night. In the evening, the colonnade is effectively illuminated, making it particularly interesting for strolls after dark. During the day, the view is also worth it for the contrast: to the left, the park with its café, Ferris wheel, and pedal boat lake; to the right, the nearby high-rise buildings suggest Batumi's new beginnings. The park itself was established in 1881, formerly under the name "Aleksandrowski", and today is a kind of miniature spa park with a Caucasus flair: there is a small zoo (not necessarily a highlight, but exciting for children), play areas, shade benches and - for fans - a history of post-Soviet renaming, as the park only bore its current name in 2004.

If you're looking for a place where you can capture Georgia's contradictions in a photograph, this is the place. The Black Sea stretches out before you, calm or turbulent, depending on the day. Behind it, the skyline of Batumi rises, as if Las Vegas had married an architectural firm from Baku. In front of it: the wooden pier. Simple, functional, weathered at the edges, but solidly built. It leads a short distance out onto the water—not far, but far enough to leave everything behind for a few minutes. The shore is lined with umbrellas, beach bars, and stalls selling beer, roasted corn on the cob, sunscreen, and unicorn-shaped inflatable rings. If you prefer a quieter setting, it's best to come in the morning or off-season. The view of the city is particularly clear then, and the light plays off the facades of the high-rise buildings, as if it briefly forgets that most of them are still under construction.