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Unfortunately signs that camping is prohibited

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Here, a certain Marie Lorteau (aged 8) is said to have had a conversation with the Virgin. This apparition, although not recognized by the Church, seems to still be celebrated because the site is very well maintained. Returning to cycling, I advise against the trails that head north through the Cailleries wetland nature reserve. Flooded in winter and overgrown with brambles in summer. I won't try it a third time.

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Long, very smooth gravel path. A treat!

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The last remaining witness to the region's papermaking industry, the association "Pour les arts graphiques en Vallée de Clisson" (For Graphic Arts in the Clisson Valley) has been working with local authorities since 1998 to revive the 19th-century papermaking industry at Le Liveau in Gorges. The Moulin du Liveau is a superb example of the region's Italianate architecture. With the active support of local authorities, the mill, owned by the municipality of Gorges, was restored to its original purpose as a paper mill. This magnificent site on the Sèvre Nantaise River in the Clisson Valley opened to the public in spring 2015. MORE THAN A MUSEUM, IT'S A LIVING WORKSHOP The association "Pour les arts graphiques en Vallée de Clisson" offers activities centered around the history and manufacture of paper. Children and adults alike can discover the mechanisms of the paper mill, handcraft their own sheets of paper, and learn about printing. An informative journey through history, accompanied by the ever-present pleasure of playfully recreating the gestures of the past. Inside, a hammer mill powered by a paddle wheel driven by the Sèvre River evokes the preparation of paper pulp from rags. Visitors can also practice calligraphy, participate in writing workshops, take bookbinding courses, and enjoy many other activities.

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The Liveau Paper Mill in Gorges in the Clisson Valley (Loire Atlantique, 44) offers guided tours, educational outings, group visits to the paper mill, papermaking workshops, events, and exhibitions. The mill welcomes you south of Nantes and also offers a shop with a wide selection of paper, stationery, and books. The Liveau Paper Mill is located in Loire-Atlantique, in Gorges on the banks of the Sèvre Nantaise. Two flour mills, one on the right bank, the other on the left bank, made up the Liveau hydraulic site, first mentioned in 1407. Until 1561, it was owned by the lords of Clisson. • 1826, transformation of the right bank mill into a paper mill, a more prosperous activity at that time, and construction of the drying rack (drying rack), marked in its architecture by the strong Italian influence prevalent at that time in the canton of Clisson. • 1827: Papermaking begins at the mill. It produces "large gray paper" or "envelope paper" (wrapping paper) sold to the sugar refineries of Nantes. • 1850: Papermaking ends. • 1851 to 1952: Milling resumes. • 2001: The municipality of Gorges acquires the abandoned mill. • 2004: The "Pour les arts graphiques en vallée de Clisson" association wins first prize from the Fondation du Patrimoine for its project to rehabilitate and promote the Moulin du Liveau, with the support of Gorges elected officials and the Clisson Valley community of municipalities. • 2006: The Fondation du Patrimoine approves the project and brings in financial partners. • 2008-2009: Airtight and watertight construction of the buildings (mill and dryer), half of which was financed by the Total Foundation. Additional funding was provided by the Fondation du Patrimoine, the Crédit Agricole Foundation, parliamentary funds, the Pays de Loire Regional Council, the Loire-Atlantique General Council, the Clisson Valley Community of Communes, the municipality of Gorges, and various private funds. . 2014: Rehabilitation work in preparation for an artisanal papermaking activity, for cultural and tourist purposes. • April 2015: The Liveau paper mill in Gorges welcomes its first visitors.

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As part of Heritage Days, Isabelle Favre, owner of the La Roche Thévenin estate, opened her property to the public. She allowed visitors to discover both the exterior and interior of her residence. "Traces of this ancient 5,000-hectare barony can be found as early as 1411," explains Isabelle Favre. This fiefdom was then called La Roche Brisard, after its former lords. It was in 1515 that it became the property of the Thévenins, one of the most notable and oldest families in the Barony of Montaigu. Nine generations of Thévenins have succeeded one another. The Château de La Roche Thévenin burned during the Revolution. The plane trees, cedars, and magnolias date from that time, in 1887, when the Abbot of Meslay purchased this house for sick priests. Another owner of the property is the sculptor Grootaers, who is responsible for the fountain in the Place Royale in Nantes and some of his sculptures, which led to the estate being listed as a Historic Monument. Isabelle Favre and her husband purchased this property in 1984. But their love at first sight quickly turned into a nightmare: the building, hidden by lush vegetation, required extensive renovations. Twenty-eight years of work revealed, beneath the cement slabs, terracotta mosaics, a granite staircase with arrow slits, the Thévenin coat of arms on a doorframe, and a Stations of the Cross hidden in a chapel converted into a hayloft.

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The Church of Saint-Jean-Baptiste is Gothic in style and features an imposing façade. It is built of stone and features ornate carved details. The façade features a richly decorated main portal, adorned with statues, reliefs, or architectural motifs. Inside the church, you will find a spacious, vaulted main nave supported by pillars or columns. The vaults feature decorative star and ribbed motifs typical of Gothic architecture. Restored over a period of five years, the interior of the building now reveals warm colors ranging from yellow to pinkish-red. Colored stained-glass windows are also a characteristic feature of Gothic churches, and the Church of Saint-Jean-Baptiste has magnificent stained-glass windows depicting biblical scenes and saints. In summary, the Church of Saint-Jean-Baptiste in Montaigu is an example of Gothic architecture with an imposing façade and decorative elements. It houses side chapels, a choir, a main altar, and colorful stained-glass windows. In addition to its aesthetic appeal, it is also an active place of worship and a significant historical landmark for the local community. The Church of Saint John the Baptist in Montaigu has a rich history dating back several centuries. Here is a brief overview of its history: The original church in Montaigu was built in the 11th century, but little information is available about this early structure. Over the following centuries, the church underwent alterations and expansions, reflecting changing architectural styles. In the 14th century, the church was rebuilt in the Gothic style, with a spacious main nave, elegant vaults, and carved details. Construction was completed in the 15th century, giving the church its current appearance. During the French Revolution in the 18th century, the Church of Saint John the Baptist was used for secular purposes. It was converted into a community hall and suffered significant damage, including the destruction of decorative and religious elements. After the Revolution, the church was gradually restored and returned to worship. Repair and renovation work was undertaken to restore damaged architectural features. Over the years, modifications and improvements were made to the Church of Saint-Jean-Baptiste. Side chapels were added, stained-glass windows were installed, and religious ornaments were restored. Today, the Church of Saint-Jean-Baptiste is an active place of worship for the Catholic community of Montaigu. It is also a tourist and cultural attraction, attracting visitors with its Gothic architecture, stained-glass windows, and history. Religious events, ceremonies, and concerts are regularly held there.

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. Originally, there was an ovoid-shaped enclosure flanked by about ten towers and a gatehouse, located to the northeast. The fortified town was located to the north of the fortress and extended a little to the east. A dry moat separated the fortified town from the fortress. A barbican protected the gatehouse. A Romanesque keep of the Niort type, with its courtyard and small enclosure, was located in the castle courtyard, roughly in the middle in the north-south direction and located to the west. The fortified city extended from the rue de Gaulle, a gate was located at the level of the Carré de l'Europe (the porte de Nantes), then the ramparts continued along the rue de la Place du Champ de Foire, then went back down the Esplanade des Olivettes, where a gate was located towards the roundabout of the rue des Jardins (porte de Tiffauges) then the ramparts ran along the Asson to go up the rue du Pont Jarlet and around the barbican not far from the Presbytery The dry moats surrounding the city were 16 meters deep in the 15th century, today they are flowered and are the subject of different colored squares decorating this part of the ramparts.

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